I’ve been making seatbelt covers for myself for years – I’m short and especially during the summer when I’m wearing open neck clothing an unprotected seatbelt cuts my neck. I was very aware of the problem whenever I was driven somewhere when I had my cast on and couldn’t drive myself. I decided I needed to make seatbelt covers for quite a few of my friends – I could also use a new pair myself.
Two days ago I bought 2m of batik fabric (it’s more densely woven than quilting cotton and holds up better) – that would work out to 6 pairs of seatbelt covers/m – cost ~$3/pair. I also bought 6m each of black and white velcro (loops and hoops) – each seat belt uses ~10″ of velcro that gives me 4 covers/m – ~$1.00/pair of covers. I have lots of batting scraps which I planned on using so I didn’t need to buy batting.
Here’s how I make the seatbelt covers:
Folded in half, I cut 7″ strips from the width of fabric – cut in half gives me 2 pieces of fabric 7″ x ~21″. I cut batting 6″ x 21″. Place the batting in the centre of the fabric, fold in one end, fold over the second (selvedge edge on top so I don’t have to fold raw edge under).
Finished underside of seatbelt cover
Next, I sew a double seam across the open edge, turn the cover over, attach the loops and hooks to the length edges of the seatbelt cover by stitching the inner edge of the velcro; turn seatbelt cover over so the under side is up, then fold velcro over, and stitch down, folding in the top and bottom raw edge of fabric.
Finished top of seatbelt cover
Fold the cover in half and seal the velcro
That’s all there is to it. New seatbelt covers – cost: ~$4/pair (that’s because I used batting scraps – had I bought new batting the cost would have been closer to $5.
I have a new pair in my car. I have six pairs done – seven more to go in this batch – a total of 14 pairs of seatbelt covers.
I’m not sure whether I’ll gift these to the women in our knitting group, or whether we’ll take a day and they’ll make their own – they’d find that more satisfying, I’m sure.
Three more “sleeps” until my cast comes off – Yeah! I can’t wait. I will finally be able to get back to creating – sewing, knitting, quilting…. Yes.
This evening I was at my sister’s place for dinner and noticed a lovely watercolour in her family room titled “Ian’s Sock Drawer” – an artist friend of hers must have seen one of Ian’s sock drawers (he has three) and done this bright painting of his socks, and because I haven’t any original work in progress to share I thought I’d share my sock drawer.
Here it is in two steps – I have three columns of socks in my sock drawer (43 pairs in all) of hand knit woollen socks – the oldest knit in 2003 to the most recent 2019. I have given away many pairs from this sock drawer – worn, yes, but with lots of life left in them, in order to be able to add new socks to my collection.
This is what it looks like today – jumbled – no order to the colours. Sometimes I take all the socks out and replace them so like colours are together but over time as I wear them and wash them, they get put back at the front of a column that has room to squeeze them in. So my colour organization disintegrates.
Sock Drawer (Part 1)
One of these days I’ll sit on the floor and reorganize them into colour families again but for now (since it’s summer and I’m wearing sandals) they’re staying the way they are.
Sock Drawer (Part 2)
The World – a 20′ Tapestry by Vanessa Barragão at Heathrow Airport
Came across this textile art piece today – a 20′ Tapestry which recreates the world map in textured yarn by Vanessa Barragão commissioned for Heathrow Airport.
You really must take a look at the article to see closeups of her latch hooking, felt needling, carving, crochet, used to construct this amazing large piece.
It’s quite wonderful.
I’m getting back to some work myself, finally. I’ve been knitting in the evening – can’t yet do as many rows as I could before I broke my wrist – I’m still in the cast and it hampers my thumb movement. I’m going to construct the light green pants I cut out the day before the accident – I can sew now, and handle a pair of scissors (for short periods of time) and I can certainly thread and use the sewing machines. Pressing will still be a bit of an issue but I’m going to have a go.
I’ve also been preparing for the exhibition at Art Labs in Parrsboro from August 10-30. I’ve written up blurbs for each work and printed them on removable labels. The wall hangings all have sleeves for rods to hang them with built into the back of each one. I need to create and baste some sleeving onto the back of the lap quilts. Then I need to check my stock of dowels to see if I have enough long ones – if not, I’ll have to pick up more. I also need to make sure I have enough bulldog clips for the ends of the dowels so we can hang each piece from the wire hanging system at the gallery.
So, soon, I should once again be able to post about my own creative endeavours.
Natalie Ciccoricco takes a vintage photo and embroiders multi-coloured circles on them, matching the shades of embroidery thread perfectly. Very interesting artwork results.
A Multi-Faceted Colour Swatch by Natalie Ciccoricco
You really must take a look at her work. This is not something I’d have ever though to do myself but seeing her work I might have a try! Ciccoricco’s colour sense is amazing – the embroidery threads replicate very closely the colours found in each photo.
I thought this worth sharing!
Found Leaves by Susanna Bauer
Trim by Susanna Bauer
This would never have crossed my mind to attempt. Her found leaves are beautifully intact – that in itself is a feat. Add to that her exquisite fine crochet work and you have an amazing work of art!
Or consider these “portraits” of sliced fruit by Dennis Wojtkiewicz:
A Slice Of Lemon
This is a 48″ x 48″ oil painting – can’t you just taste the tart goodness?
The breadth of inspiration and wonderful execution amaze me.
Oh, BTW, I’m still in a cast – this week a bubblegum pink one – I had to have the purple one changed because it was seriously rubbing in a couple of locations and would have led to open sores beneath the cast had I not had it changed. This one is better – survivable if still uncomfortable – at least for now.
I just tried sitting in my standard transmission car – it’s 2 1/2 weeks since I broke my right wrist. I can steer using my left hand, but I can’t shift gears with my right! So independence is at least a week away! I’ll try again next weekend. The new fibreglass cast is providing more support for my wrist but it’s also rubbing protruding bones and can be very uncomfortable and limiting. Thank goodness Wimbledon starts tomorrow – that will help me pass time because sewing is out of the question – I can use the machines, but I can’t cut or press! And the cast is not allowing me to knit much. I’m currently not being creative.
Instead I’m keeping my eyes open for other art endeavours that open possibilities.
Came across one the other day –
The Sandy Cliffs and Blue Skies of Martha’s Vineyard Abstracted into Paintings by Rachael Cassiani
Cliffs Of Martha’s Vineyard – Abstracted
Now there’s a textile wall art idea! I must go through some of my landscape photos to see if I can do something like this with one or more of them. I’m drawn to the large swaths of colour and the way the image emerges. Rachael Cassiani does this with paint – I would do appliqué and thread painting.
Another creative example I came across was –
Quilled Paper Sculptures by Sena Runa Embellish the Natural Forms of Everyday Objects and Animals
Sena Runa’s paper quilling is spectacular! I can’t imagine how much time it takes to execute what appears to be a simple piece as this poppy seems – it must have taken considerable time. Each piece illustrated in the article is breathtaking. Again I can see how. I might render something like this single flower into a textile piece – where she has done the quilling, I would thread paint.
Lots of ways to experiment.
Here is my new fibreglass cast – got it on this morning.
New Fibreglass Cast
The x-rays this morning showed no unwanted movement of the fractured end of the radius – a good thing. And the skin on my arm looked OK. So they put on this fibreglass cast. Looks like it will be on for five weeks. The question is will I be able to stand the rubbing against the tendons on the back of my hand and the bones in my wrist!