Redone – I removed the side border, extended the top and bottom borders, and added the 8th column.
I’m much happier with the balance. I understand why most people who make this quilt top choose to straighten the top and bottom edges but I find the zigzag edge an interesting detail.
So the top is now complete.
Next, the quilt back. I have to pull out the Kaffe Fassett Collective fabric leftovers and see what I can do with them. I have lots of the backing fabric (Ruby Star Society Speckled Metallic Navy 2021). I was able to pick up 3m on Wednesday at my local fabric store.
I thought I had the top finished – I’d added the 7th column, finished off the ends with border fabric, and sewed a border all around.
I liked how the border accented the flow of the colour in the panel, I was fine with the finished size (~48″ x 66″). EXCEPT I was NOT happy with the partial points on the bottom left and top right!
That’s solvable one of two ways: either by cutting off the top and bottom point elements; or by adding the 8th column on the right:
I’m leaning toward the second option – I’d like the quilt top to be larger rather than smaller; I also like the top/bottom points – even if they don’t match they are complementary.
So my plan is to add the 8th column tomorrow – it means redoing the top and bottom borders because they will need to be wider to accommodate the extra column width (the length of the side border remains the same).
I didn’t want to add the 8th column – it makes the overall panel close to square (remember I don’t have enough fabric scraps to add a row (or two) to the bottom). I will do that, though, because the unattached points top and bottom are just too jarring – the top and bottom need to be symmetrical (if different).
It also means I have to come up with some kind of idea for a strip for the back – if I’d not used the 8th column on the top, I would’ve inserted it into the back. Now I need to go through the Kaffe Fassett Collective leftover fabric and come up with something that complements the quilt top.
Just finished assembling two more columns and attaching them to the previous two. This represents half of the quilt top. The top and the bottom need to be trimmed. I’d love to be able to add half blocks to the top and bottom edges but I just don’t have enough scraps of all of the fabrics to make 16 more triangles.
I’m understanding the design better now – all of the light (L) pieces have ended up on the left of the verticals, the dark (D) pieces are on the right; and the medium (M) have become the horizontal elements. Very interesting; I didn’t understand that when I started. With that information in hand I’d think about the order in which I laid out the fabrics so related fabrics would form both the light and dark portions of the verticals. That’s if I ever consider repeating this design!
My niece went “Wow!” when she saw a picture of the Escher Quilt and said she’d love to have one. I might just consider buying a kit to simplify choosing fabrics and laying them out so they create the colour flow which the original quilt displays. I’m just not sure I’m up for tackling this project again!
I just finished the first column pair using all 16 triangles (twice):
I will end up with an almost square quilt top – 48 wide x ~ 52 long. I can’t add more elements to lengthen each column because I’ve run out of some of the fabrics. So this is it. I could change the width/length ratio by assembling just 7 columns instead of 8; that’s a possibility – and then add a dark 3 1/2″ border to extend the size. I’ll make that decision after I have the 128 triangles sewn together.
I’m more pleased than I thought I would be – the Escher illusion works better than I expected it to, given I wasn’t completely lucky with my fabric colour placement – but the interwoven branching columns stand out clearly.
I just finished the last set of the 16 triangles for this quilt top. The connections now all work – after taking apart four block sets yesterday and rebuilding them clockwise this morning!
It’s hard to tell from the photo how the connections flow (I just realized looking at the photo closely, that I will have to redo that final set on the top left – it’s going counterclockwise! #$^%!)
I was expecting the triangles to align in a single long strip, but instead the connections form a double set of four pairs which will repeat twice to form the strip – the fabrics at the top matching the ones at the bottom.
I’m now seeing some significant differences with what I was trying to do and what I now have. The original Escher Quilt by Chris Weinhold, uses Kaffe Fassett small prints – my fabrics are mostly large scale prints – makes a difference – the small scale prints show the matching better. Also, while I’ve figured out the blocks and how they go together, I didn’t take into account the actual colour flow well enough. We’ll see how this all looks once I’ve sewn the top together but the illusion may not work as well as I expected it to.
Now it’s just a matter of sewing triangles together in columns, then sewing the columns together.
I’ll start that tomorrow – AFTER I take apart the last triangle and remake it!
As I worked away at the triangle blocks for the Escher quilt I ran into a snag – I could line up the first few blocks but then I had trouble finding the next in the series. I’m pretty sure my numbers will work – but I certainly had a problem somewhere.
I could align the dark circle fabric from the first to the second triangle, I could also align the join with the yellow fabric on the right (the 2nd and 3rd stack), and even match up the red fabric above that on the left, but I reached an impasse after the 5th block! The next matching block took me back to stack A at the bottom – which it shouldn’t have done. The stacks should line up in a continuous line – all 16 of them.
I finally figured out, after spending a large part of the morning pouring over pictures of the Escher quilt and checking that I’d set up the stacks according to the table I’d been able to create from what another quilter had posted, that the third set of blocks from the bottom was pieced counterclockwise instead of clockwise!
It turns out that four of the five finished stacks of triangles which build with the triangle on the right were sewn together counterclockwise – light strip attached to triangle, medium strip to that seam, dark strip to the remaining side – NOPE – should have been light attached to triangle, DARK next, and finally the medium – to give a clockwise rotation.
Out came my seam ripper. I disassembled four sets of (8) triangles; I restitched one. I’ll get to the remaining three tomorrow. I have my fingers crossed the numbers in the table I generated from photos are correct, and once I’ve resewn those three sets of triangles with the correct rotation, the remaining unsewn blocks (6) will align correctly once I’ve assesmbled them.
Yesterday I organized my fabric into eight sets of three groupings – light, medium, dark. I cut 2″ strips from each and cut the trapezoid shapes (16 from each fabric) plus the small dark triangles for the centre of the block. (In a couple of blocks I ran out of fabric and had to fill in a couple of trapezoids with as close a colour match as I could – it will be interesting to see where they show up in the layout).
Next step was to group these trapezoids into groups of three for each block (a dark, a medium, a light). Before I did that I spent quite a bit of time looking at photos of the the quilt in progress which I found online in order to sort out the groupings. Then I set up the blocks – two sets – one which starts with the triangle on the right side of the light piece; the other with the triangle on the left side of the light piece.
These are the blocks with the triangle on the right. There is a complementary set with the triangle on the left.
In the afternoon I stitched block “A”, then block “B” and placed them together so the dark fabric forms the wide 120° angle – the two triangles at the bottom of the stack below. I also did the “C” stack but that triangle fits in somewhere else.
The next triangle needed to join the light vertical on the “B” block turned out to be block “M” followed by “L”, then “K”.
To see how this array would look like sewn together I stitched one of each together.
You can’t really see the optical illusion yet – I need to construct the second column and join it to column #1. At the moment I’ll continue constructing all the blocks then lay out the first column (it uses all 16 triangle blocks). I don’t yet know where the second column actually begins – the order of the blocks will be the same, but it will start at another place and until I get all the blocks stitched, I’m not going to know where column #2 begins.
In any case, I’ve set up a chart showing the fabrics in each triangle block – there are no duplicates, but the linkages become apparent. It will be a matter of just laying out the matching pieces to create the structure of the interlocked elements.
Now, it’s just a matter of carrying on with block construction. I’ve got six block sets done – that leaves a dozen to go and then I can set up the columns….
After I had the third diamond quilt underway I came across what’s called the “Escher” Quilt.
There are a lot of examples of this quilt online – I don’t know who developed the idea originally. The assembly creates the illusion of impossible interlocked elements. The quilter who’s photo I’ve shown below (whom I know only as “chiquitatarita”) posted photos of her quilt top in progress (she’d bought a kit using Kaffe Fassett Collective fabrics)- here she had two columns assembled where you can see the construction clearly. I even have quite a few of those particular fabrics!
I could make this simple and enrol in a class or I could buy a kit (which includes fabric, a pattern and instructions), but I decided to try on my own to see what I can construct using a relatively simple block.
Next I came across another blogger who also described how she worked with the kit she’d bought:
First we made a chart, and laid out all the fabrics, from one to eight down, and L/M/D across. After cutting, we needed to then pair up the pieces according to the chart. Each piece has a light, a medium, and a dark bar, but they’re different depending upon their relative location in the row.
This helps me figure out how to go through my fabrics and set up an 8 x 3 array as Sue describes above.
So I set out to create the basic block – it took several attempts to establish a size for the block using paper and pencil. Then I cut out bits of fabric to see if my calculations worked – they didn’t – not at first. However, I did finally manage to work out a reasonable size block which went together pretty well.
This block is one of a pair – the second one assembles in the opposite direction which lets you put the triangles together to form a connected “diamond” where the same fabric abuts to form a wide angle – you can see two in the photo below – one in brown, the second in green (I’m just working with scraps to see if I could set up a couple of blocks):
The precision issues won’t be with my cutting – I now have the dimensions I know will work. It’s my sewing that will create issues – I will have to be extremely careful to sew a “scant” 1/4″ seam. When I attach the triangle to the first trapezoid I need to stitch a partial seam – which is completed when I add the third trapezoid. Then I need to carefully press each resulting triangle so the centre triangle seams are pressed outward. Finally, I will need to press the block-joining seams open, so the assembly will lay flat. I also have to remember to create my blocks in pairs – one block having the small triangle at the left of the first trapezoid, the second having it at the right end!
Now it’s time to go through my fabrics – I want 24 – set up in eight sets of Light, Medium, and Dark. I don’t have complete colour ways sets of three but I’m sure I have enough variety in my collection of Kaffe Fassett Collective fabrics to make something that will work.
Finished the quilt yesterday – at least for the moment I’m considering the quilt done. I’m still contemplating quilting the seams in the ditch but pressing has flattened the 6-point joins reasonably well – I may leave well enough alone.
Finished size: 47″ x 66″.
It’s hard to see in the photo but I finished with a 1/4″ binding using what scraps I could scrounge from the backing cut-offs (it was close – I have nothing left over!). In this case I stitched the binding to the front, hand stitched on the back (I usually stitch a binding to the back, fold over, and use a decorative stitch on the front). Stitching to the front with this quilt made sure I had an even 1/4″ dark edge to the quilt top.
This is the seventh quilt finished since last August – I have time to work on one more for the showing in Parrsboro, scheduled to happen through July this summer. I have more than enough of the Kaffe Fassett Collective fabric to work with – no point in saving it because I have more KFC fabric ordered to arrive sometime in June.
I signed up for the July/August “Kaffe Quilt Along – Gathering No Moss” online workshop being offered through Hyggeligt Fabrics in St. Mary’s ON. It was the colour of the blue collection that caught my eye. I don’t expect I will construct the suggest quilt – if I do work on that quilt block, I won’t make it using just those fabrics – the blues need some kind of an accent to liven the array. I registered because I’m interested in seeing what Fassett has to say about choosing colour and planning layout.
I knew of Kaffe Fassett’s work through his knitting books and even tried a couple of his sweaters – first time I tried intarsia knitting (not my favourite kind of knitting – too fiddly).
Then I as a novice quilter I came across the You Tube videos of his Tampa weekend workshop Oct 17/18 2008.
I watched all three sessions and learned a lot about colour flow. (Here is another video where he discusses colour.)
Over the next year or two I did a series of quilts with batiks (as well as large scale print fabrics) using what I’d picked up from watching the workshop videos. So I’m curious to see what he will have to say this time as people work through four different colour arrangements of the designated quilt.
I just finished quilting all ~135 diamonds (I haven’t actually counted them). It took me four days to stitch/embroider all the diamonds – somewhere in the vicinity of 16 hours.
Yesterday I learned two new things.
First – I use the Precise Positioning feature on my Pfaff Icon embroidery machine – however, in all these years I’ve been quilting my quilts I’ve used the left/right up/down feature but except when I was learning what Precise Positioning could do, I have never used the rotate feature! This set of diamonds and positioning a design within each block required I also rotate the design slightly to make sure the end of the design finished in the right position.
Second – When I’m quilting, I bring the bottom thread to the top before I start stitching. Sometimes when the machine starts the top thread gets pulled beneath the quilt sandwich, often leaving a bit of a bird’s nest below. Yesterday, I found out why that was happening! I discovered when I bring the bottom thread to the top, I have to make sure the needle position is rotated past the highest point. If I’m careful about that, my top thread stays where it is.
There are lots of things you can’t tell from the photo which looks a lot busier than the quilt does “in person”. You can’t see that I change thread for each block to minimize the impact of the quilting. You can’t see that I’ve embedded all thread ends from the start and stop of each embroidery. You do see the overall effect of the precise positioning of each quilting embroidery.
I still have the edge half-diamonds at the top and bottom to quilt, as well as the triangles along each side. I’ll get to that tomorrow; it won’t take long. Then, as I did on the Diamonds II quilt, I will stitch in the ditch over the entire quilt to give definition to each diamond/cube.