I just tried sitting in my standard transmission car – it’s 2 1/2 weeks since I broke my right wrist. I can steer using my left hand, but I can’t shift gears with my right! So independence is at least a week away! I’ll try again next weekend. The new fibreglass cast is providing more support for my wrist but it’s also rubbing protruding bones and can be very uncomfortable and limiting. Thank goodness Wimbledon starts tomorrow – that will help me pass time because sewing is out of the question – I can use the machines, but I can’t cut or press! And the cast is not allowing me to knit much. I’m currently not being creative.
Instead I’m keeping my eyes open for other art endeavours that open possibilities.
Came across one the other day –
The Sandy Cliffs and Blue Skies of Martha’s Vineyard Abstracted into Paintings by Rachael Cassiani
Cliffs Of Martha’s Vineyard – Abstracted
Now there’s a textile wall art idea! I must go through some of my landscape photos to see if I can do something like this with one or more of them. I’m drawn to the large swaths of colour and the way the image emerges. Rachael Cassiani does this with paint – I would do appliqué and thread painting.
Another creative example I came across was –
Quilled Paper Sculptures by Sena Runa Embellish the Natural Forms of Everyday Objects and Animals
Sena Runa’s paper quilling is spectacular! I can’t imagine how much time it takes to execute what appears to be a simple piece as this poppy seems – it must have taken considerable time. Each piece illustrated in the article is breathtaking. Again I can see how. I might render something like this single flower into a textile piece – where she has done the quilling, I would thread paint.
Lots of ways to experiment.
When I finished the first modern flower appliqué wall piece a couple of weeks ago I decided I wanted to try a second hanging – this one laid out on the horizontal with a border but having some the flowers spill off the piece entirely. Also I didn’t just want to repeat the flowers in the first piece – this time I decided to use layers of offset circles, again with leaves flowing through the space.
Modern Flowers – II
Early in the week I took the black/white leftover pieces from the first hanging, created a centre panel, then added a white-on-white mitred border; next I backed the pieced fabric using medium weight woven fused interfacing to stabilize the panel so it will remain relatively flat through the thread painting process. That worked well on the previous piece – Floral Collage – I decided to try it again on this larger piece.
I had kept the pile of small fabric scraps I used on the first flower appliqué on my cutting table – I didn’t have to go looking for more. This morning I cut various size squares from the scraps, added fusible web to each square, then cut out circles from 1″-6″ in diameter. What I have at the moment is a tentative layout. I think I want to add stems and more leaves in a somewhat lighter green to complement the dark leaves I have already cut out.
That’s it for today. Tomorrow I’ll fuse the individual flower elements, cut out stems and more leaves, play with arrangement, next fuse the whole to the background. Then I’ll start thread painting. The temptation is to simple outline each circle using a narrow blanket stitch but I’m not sure I’ll do that – I may decide to use doubled embroidery thread and straight stitch several rows close to the edge – I’m sleeping on that.
Just Finished. Today I completed quilting the remaining wide border, created an embroidered label, attached a narrow hidden binding to the quilt edge and hand stitched it into place.
Double Convergence – Quilt Top
The quilt is relatively small – 45″ square – which means it could actually be a wall hanging or a smallish lap quilt/throw. I decided to finish with a hidden binding because I didn’t want to complicate the quilt top any further. The wide border mirrored the double convergence and that felt like it was enough.
Double Convergence – Quilt Back
I used the fabric from the back for the hidden biding – stitched it on the front using a 1/4″ seam, then folded the 1 1/4″ strip under leaving me with a 1/2″ binding. You don’t really see the invisible binding unless you’re up close and looking carefully.
A bit of explanation about the quilt back – I needed a narrowish insert to accommodate the quilt width. I had a small amount of ombre fabric left and decided a strip of ombre as it was worked perfectly – no piecing, except to extend the length of the strip. There’s enough interest in the fabric itself that it accents well.
That’s quilt #7 since the end of August – I’m planning one more for the Parrsboro show this coming summer. Now to turn to wall art pieces – I have lots of ideas, I just have to begin creating!
Last Saturday I travelled to Parrsboro for my 4th Annual exhibition of “Quilts As Art” show at the Art Labs Gallery.
Sign on the Sidewalk
It took about an hour and a half to hang the 8 quilts and 11 smaller wall art pieces. That’s my complete production for 2017/2018 – new since last year’s showing.
Hard to believe I manage to get so much sewing/quilting/machine embroidery done. That’s not everything I did make – there were a variety of garments: pants, jackets, tops that I constructed in that same time period – from end of August to mid-July of this year.
Two Wall Art Pieces On Display
There was an “Opening” later in the afternoon – a small attendance because the weather was so hot I’m guessing people in Parrsboro spent the day at the beach. Those who did come to see and talk about the textile art with me were interested and appreciative of my work. Always fun to see how people react to it. The show lasts for two more weeks until August 17. Then I’ll head back on the 18th to bring it all home. I think I’m going to hang Federer somewhere in my place, the rest will be put away in my “quilt” closet (which is getting full).
I’ve already got work for next year under way. I pinned a new quilt this morning – ready to start quilting it. When that’s done I’ve got fabric for some summer pants (almost too late to bother making them this season). I’ll get those cut out and maybe one or two pairs stitched up.
The last one is just finished (except for the sleeve on the back for a rod/dowel to hang the panel).
I’m happy with the results (in spite of the imperfections that pop-out at me). One thing for sure, in future I will use a fused stabilizer to keep the panels from rippling and then use fusible web to adhere batting to panel. It’s quite a bit more work, but I think the final panel will be the better for it.
Now I’m ready to move on.
OK, here’s the 4th panel completed with piping and binding/frame. I’m getting better at squaring the corners with the mitre meeting the point (some of the appearance of “skew” is my picture-taking skill with the iPhone – quite difficult actually to balance the position of the phone)
So that leaves just one fern panel left to complete. I’ve stitched the piping on, next comes the frame/border, then the muslin backing. I’ve got to run a couple of errands now, then I’ll sit down and finish that last one.
Next on to the “On Deck”:
On Deck – 2008
My plan is to lighten the overall colour, remove the boats, and position the woman on the right. I captured the photo on a Caribbean cruise I took in 2008 – gracious, that’s ten years ago, now. The ship anchored for the day so people could enjoy the Cayo Levantado Beach off the coast of the Dominican Republic. I stayed on board and happened to see this scene which reminded me of an Alex Colville image.
Completed this panel yesterday – with piping and border/frame.
A friend looking at it commented that it reminded her of an underwater scene. I guess it does. Not intentionally done – I was just juxtaposing scraps of fabric and adding small bits of appliqué and embroidery to make a pleasing whole.
Two more to finish – my goal for today.
I finished this panel two days ago – with the addition of a couple of sequins and beads to complete it.