Bradford Pear. (#12)

Bradford Pear

Along my street we’ve got Bradford Pear trees which are filled with lovely “apple/cherry” like blossoms early in the spring. They last maybe a week/ten days and that’s it. I’ve photographed the trees and the flowers each spring I’ve lived in my apartment (going on seven years). I’ll take pictures – of the same trees – again this year.

I did a bit of research to learn more about Bradford Pear trees and discovered they aren’t the best choice although they’re used widely to line streets. One writer identified several reasons why you should avoid them: they grow tall – 40-50 feet, the flowers have a strong, somewhat unpleasant fragrance, often have weak branches – sometimes falling apart after 20 years (!), and they cross pollinate with related trees causing problems if fruit pears are growing anywhere near. Nevertheless, I love how the flower clusters look which is why I decided to include one in this floral collection.

I decided to do very little stitching on the flowers, thinking the detail on the stems, leaves, buds and branch would more than offset the spare flower detail. A good decision, here.

This is #12. The series is now complete.

My Floral Collection

I’ve laid them out on the floor to think about the display arrangement. I still have to add paper backing, a label, and a sawtooth hanger on the back of each before I can say they are finished. I’ll get that done over the weekend. I plan on showing the full set in Truro, I think. Brandt will only want ten for the December show in Tatamagouche this year – I will have a difficult time deciding which two to hold back! I’m happy with all of them.

Now I can move on to a new quilt, along with some clothing I want to make for the summer.

Night-blooming Cereus (#11)

Night-blooming Cereus

This flower isn’t from a photo. My friend Elayne gave me a bundle of four 1-yard pieces of Hawaiian barkcloth a number of years ago. It has lovely tropical flowers very sharply printed on a 100% medium weight cotton fabric. I’ve made a couple of wall art pieces from it by carefully cutting out flowers and leaves and mounting them on a raw silk background, then thread painting the resulting image.

I’ve shared the fabric with participants when I’ve done workshops on raw-edge appliqué with thread painting. I still have a lot left. I liked this printed Cereus bloom so I chose it to be one of the flowers in this 6″x6″ project.

This particular fabric had a lot of grey in the leaves and in the centre of the flower – I chose to obscure it with the thread painting. The challenge with this fabric is the weave is somewhat loose so the raw edges are “raw.” I do my best to tame them with edge stitching. I can see a few loose threads in the photo – I will use my very fine pointed tweezers to pull those threads out, and trim what I can’t remove with very sharp, fine embroidery scissors.

When I’ve finished the last flower – Bradford Pear (which grows just down the street) – I’ll decide which of the twelve pieces will go into the final collection of ten. This one may just stand out as different enough to be eliminated. I’ll see.

Day Lily

Day Lily

#10 – almost there, just two more flowers to go. Then I can move onto the final quilt I want to get done before summer (I want to do a quilt based on the Drunkard’s Path back insert I created for the Moons & Planets quilt).

Lots of thread changing involved in stitching this flower. You’re not aware of the changes because they mirror the shading of the petals and sepals.

Again, the difficult decision – how much to stitch and what to leave open. I’ve enhanced the brightness of the flower colours using the Inktense watercolour pencils – just enough to make different areas stand out a bit more. Overall I’m happy with the detail I’ve managed with this flower.



Yesterday when I stopped working on the Iris it didn’t feel done to me. There wasn’t enough detail on the leaves. I wasn’t sure whether I wanted to colour them a bit more or just add a bit of stitching – in the end I did both. I shaded both the cluster of leaves on the left as well as the leaves beside the stem. Then I thread-painted the shading. Because the leaves are darker they blend into the whole, not drawing attention to themselves. I’m much happier with this piece now.



I thought this piece would be easy and straightforward – not so. The first thing I had to do was tone down the reflection both in the flower and on the leaves – I used Derwent Intense watercolour pencils to shade away the white. That gave me better overall colour to work with.

I started thread painting by outlining the leaves and leaf veins. Then onto the flower. Using a strong yellow I stitched the highlights on the petals. Next came the dark red at the throat, then the brighter red of the centre. I wasn’t intending to fill the entire centre area but an edge stitching at the red/pink boundary was jarring and left the red centre very dull so I took it out and reworked the area – filling it in. After that, I added the pink, and stitched the pistil. I needed to create a stitch for the stigma (of the pistil), and another for the stamens, I filled in the style of the pistil in a darker red.

Up close there is more stitching than I’d prefer, but when the piece sits next to the other 7 completed pieces, the flower shading stands out and the piece fits in with the others.



I finished this piece a few days ago, just forgot to post the image. I decided to represent a simple peony rather than a many-petaled double flower. With this one I had relatively few petals to deal with and the centre of the flower is better exposed.

The question is always, how much stitching, how little? Whether to create a new stitch or can I adapt something already on the machine. In this case, I took one of the “flower” machine stitches, and edited it so that all I had were six small overstitched dots. I used and reused the stitch, filling in the stamens. I then created a second stitch for the multitude of stamen filaments, stitching that in dark rose thread. Finally I used a machine stitch for the stigma, which stands out from the stamens.

The finished, mounted piece has the illusion of depth I was after.

Then I went on to the Iris.


I haven’t mounted this piece yet – I think the flower has enough thread painting, but I’m not sure about the leaves on the left. I have to do one of two things there – either more stitching, or I have to create more texture with permanent markers or coloured pencils. I’m still thinking about it – I don’t want to do too much to those leaves – I don’t want to draw attention to them but they need something more. So Iris isn’t quite done.

Today I intend to work on Hibiscus.


I’m going to soften the “white” highlights to make them less prominent, I will embellish the stamens along the side of the pistil, I will emphasize the pistil head – just not sure what I’m going to do with the leaves. The white highlights there also have to be toned down – I likely will do that with markers.

First, lunch, then some sewing!

Oriental Poppy

Oriental Poppy

One more piece done – #5. This purple oriental poppy was growing in a friend’s garden several years ago. I’ve kept the photo in my library and from time to time I have thought about what I could do with it. I decided to include it in this 6″ x 6″ collection.

I’m reasonably happy with how the flower turned out – you get a sense of the depth of the bloom. The flower centre was challenging – the oriental poppy has a gazillion feathery stamens with long filaments. The pistil is elaborate, too. I had to do quite a bit of practice sewing to find a way of representing the fullness of these floral elements. When you stand back from the rendering (where you no longer can see the stitching), it looks remarkably like a vibrant oriental poppy!



Last summer I stayed at The Maple Inn in Parrsboro while I was doing the Cyanotype workshop. Their garden was lovely – lots of different flowers in bloom, among them this Clematis climbing the side of a small out building. I took a couple of shots of it. I was taken by the magenta of the flower (here we see mostly purple Clematis), and the rich detail of the flower centre. I decided to include it in this collection.

I thread painted the markings on the petals, the stamens and pistil, and outlined the leaves and the veins. The first attempt had three fewer leaves – the outcome looked unfinished, so I added three more leaves. I’m happy with this flower rendition; #4 so far for the 6″ x 6″ collection.

Prep Work Done

Nine Flowers Ready To Thread Paint

I’ve spent the morning, fussy cutting the flowers, laying them out, fusing them to the raw silk background, redrawing the finished block size, positioning where I want the signature to go on each. The remaining nine are now ready to thread paint.

I’ve tidied up the top of my cutting table, putting fabric scraps back where they live. Stacked the rules in the ruler holder. Put my rotary cutters where they’re normally stashed. Now I have to start selecting thread for the stitching.

It’s a lovely sunny day out – no clouds at the moment. So once I’ve got myself organized it’s time to get out of the apartment! I’ll start sewing on these tomorrow morning.

Shasta Daisy

Shasta Daisy

This one is #3. I finished it yesterday. A surprising number of thread changes involved in this one. I’m pleased with how the flower centre turned out – I didn’t feel it needed a metallic thread; the dark brown/black set up enough contrast with the golden yellow to make the flower lively. The challenge is deciding how much stitching and where. The flowers look better when there is some unstitched space but there still needs to be enough thread painting to give the flower texture.

More To Come

This is what’s on my cutting table (anti-clockwise starting at the bottom left) – a purple poppy (needing to be fussy cut), a Blue Flag iris, Bradford Pear, a clematis, a peony, a day lily, and a hibiscus I cut from some Hawaiian bark cloth which I’m not going to use. Instead, I added a few more printed photos to the collection – a yellow/pink phalaenopsis, a more vibrant purple iris, and a golden/red hibiscus. That gives me the ten flowers I’m hoping to complete for this set.

I’m waiting now for my latest order of 6×6 mounted canvases to arrive so I can mount these pieces when I’ve finished thread painting. This project will take me another ten days or so to complete.