Finally done – or I think it may be – I’m still trying to make up my mind about doing a bit more quilting. Having finished the in-the-hoop blocks, I can see the spots where the corners of the embroideries meet – or rather where they leave a slightly smaller than palm-size unquilted area – 35 of them to be exact at the junctures of the embroideries. I’ve pressed both sides of the quilt and those spots are definitely less obvious than they were – but…
Blushing Peonies – Quilt Top
The question is whether I use the scaled down single flower stitch-out I set up from the original quilting embroidery to tie those spots, or to leave well enough alone…. At the moment, I’m predisposed to leaving the quilt as it is but I’ll keep mulling this one over – I may in the end do those embroideries.
Blushing Peonies – Quilt Back
The binding – my original plan was to do a hidden binding but in the end I did a narrow binding the way many people do it – by folding a 2.5″ strip in half, sewing the doubled binding ~3/8″ from the edge, folding it over, sewing it with a decorative stitch. It turned out to be considerably more work than my usual 5/8″ single thickness binding which sews on more easily and folds over and corners with much less effort. However, I didn’t want a prominent binding so I settled for this narrow one. Probably won’t do this again – either a hidden binding or a standard 5/8″ one.
Now my next decision is what to make from the leftover fabric – some kind of simple quilt that I don’t have to fuss over too much. I was thinking “Garden Trellis” would be easy to do – using 2 1/2″ strips of the Blushing Peonies fabrics to set up the HST blocks – BUT I see the centre of the on-point blocks being unpieced squares of the peony fabric – I have just enough to do that. However, the piecing is somewhat complicated – in Garden Trellis II I created the coloured squares by piecing them in after I’d created the dark/light blocks. In this instance I want to showcase intact peonies. The easy way to achieve the appearance I’m after is to log-cabin the central square; but I want the seams of the block to be on the diagonal they way they are with HST blocks. I can see I’m going to have to make some mock-up blocks to work out how to construct them. Again, I’ll probably do a 6 x 8 block quilt which means 48 blocks constructed with somewhat complicated sewing, I think.
Well, next some some playing around.
I’ve just completed 2/3 of the assembling of the Blushing Peonies quilt top and I can see I’m not going to be happy with the asymmetrical position of the middle large block!
I wanted to offset it from dead centre but it’s going to annoy me if I go any further and don’t reposition it so that it’s balanced in relation to the other two large blocks. (I wish I could think of another way to create asymmetry in this quilt top, other than the random placement of the 2, 4, & 8″ blocks, but I can’t. I tried eliminating the 4″ horizontal row between the top and middle sections and didn’t like how that looked. Pushing the middle block to the left as I have today feels unbalanced as well. So I guess I will have to go with a symmetrical placement of the three 16″ blocks and live with it. Those large blocks definitely stand out and draw your attention – they need to be in an aligned diagonal.)
Blushing Peonies – 2/3 assembled
So first thing tomorrow I will open sections of the pieced middle so I can move the large block over 4″ to center it in the panel. Then I’ll piece the top 1/3 – that will go fairly quickly once I have the elements in the middle 1/3 moved around.
I’ve just finished laying out the elements for the quilt top – sort of. The area adjacent the top left large block has been pieced – the rest is on the floor waiting to be stitched. I need to walk around this layout more – I need another 4″ row (at the moment sitting, partially filled in, at the bottom of the photo) which will be inserted horizontally between the bottom two large panels but that’s going to want moving those panels laterally some more. And then I want to look at the photo to see where there are clashes I don’t like. It’s all too busy right now to make final decisions.
Quilt Top Laid Out – Sort of
Nevertheless, I’ll keep stitching elements together in small sections that I can keep moving around until I’m satisfied with the arrangement. Need to cut a few more 2.5″ blocks to finish that 4″ row.
I’ll do that tomorrow. It’s over to the US Open Tennis this afternoon.
Some time ago I did a quilt based on 2.5, 4.5, 8.5, and 16.5″ blocks. What I was after in that quilt was to establish a pleasing colour flow using blocks of these varying, but proportional sizes.
Lap Quilt 2,4,8,16
Sometime this past year I purchased pieces of the Moda “Blushing Peonies” fabric. My shop didn’t have all in the collection (and many I wouldn’t have wanted to use, anyway) so I went hunting for complementary fabrics. I ended up with 14.
I wanted to do something similar with the Blushing Peonies showcasing the large print with beautiful flowers and fill in with the complementary fabrics in the smaller sizes.
Here’s where I have so far:
2, 4, 8, 16 Bushing Peonies
Unlike the original quilt, I don’t want the large peony blocks in the corners, but indented. The large, framed panel will finish at 16″. To fill in around it, I developed 4″ rows of 2″ and 4″ blocks to fill in below and on one side of the large block that will be in the lower right corner. I also want a 4″ row between this block and the next one which will be offset closer to the center. That means assembling more blocks that will create that row and a combination of 8″, 4″ and 2″ blocks to fill in above this first block and the offset second one.
This is an improvisation – I should have enough blocks cut to assemble a quilt top. I’ve done enough for today. I’ll work on this quilt top again tomorrow.
Just finished quilting and stitching the binding on this “Wandering Geese” quilt. I’m happy with how it has turned out. My decision to use a narrow dark border was a good one – the points of the triangles are intact and not hidden beneath the binding.
The back has more piecing than I usually do, but I had so many half-square triangles as a result of the way I constructed the flying geese I thought I should use as many as I could.
Just need to hand stitch the label on the back.
Several months ago I bought a “Jolly Bar” of Moda Fabrics (Zen Chic – “Fragile”) – that’s fabric cut into 5″ x 10″ rectangles containing one (sometimes two) strips of the collection’s fabrics. I realized the half-squares were too large for a lap quilt, and the rectangular shape required a wasteful method of creating flying geese. Nevertheless, I decided to go ahead but I needed more fabric. I added some turquoise (which is hinted at in the printed fabric collection but not used as a background colour in any). There were also nowhere near enough light coloured rectangles to construct the flying geese so I went through my fabrics to find white, pale grey, & pale turquoise cuts.
Because I wanted to end up with a lap quilt size, I scaled down the darker rectangles – 4.5″ x 8.5″ (for the “geese” portion), trimmed the remaining light ones to 9″ then cut them in half for 4.5″ squares to construct the flying geese – 48 rectangles / 96 squares.
My Adaptation of Zen Chic’s “Twisted Geese”
The quilt top in the Zen Chic version of “Twisted Geese” also uses solid blocks – once I’d finished assembling the flying geese (forty-eight in all) I added eighteen 8.5″ x 8.5″ squares from some fabrics in my stash (a few of which were yardage from the Zen Chic “Fragile” collection I bought a couple of months ago) to complete the arrangement.
So here is my tentative layout – definitely a non-traditional distribution for a flying geese array.
I plan to use the 4″ equilateral triangle off-cuts to create half-square triangles for the back – I have 96 already cut and laying in pairs – it’s just a matter of sewing them together along the bottom edge (being careful not to stretch the fabric).
Tomorrow I will sew the forty-eight blocks together. I am planning on a 1″ narrow border to extend the quilt top just enough so the binding won’t disrupt the side points of the geese.
Just finished the panel. (It’s actually squarer than the photo shows – its all about the angle I’m holding the phone at).
Australian Open 2018 – Federer’s 20 Grand Slam Win
Finished size: 20 3/4″ x 16 1/2″.
Techniques Used: Raw Edge Appliqué, Thread Painting, Machine Embroidery.
In the end I did less thread painting than I originally intended – I did none on the court walls other than to secure the edges. The grunge fabric provided quite a bit of texture which I decided I didn’t want to disrupt so I left the dark backing alone after embroidering the Jacob’s Creek name and logo. I did the barest amount needed to hint at the shadows of Federer created by the overhead lighting. I did densely stitch the white lines on the court to hold those narrow pieces securely. But that was it.
That’s all the wall art for now. This is #9 of the pieces I wanted to complete for the showing at the Art Labs in Parrsboro end of July to mid-August. Added to the 8 quilts I have ready, the gallery walls will be full.
I have two large projects I agreed to do for other people that have sitting around for more than 6 months – I have to get them done and out of the apartment. Then I can turn to making some clothing for myself and think about how to use a couple of fabric collections I bought for quilts a couple of months ago.
So lots more sewing/quilting waiting for me.