It’s a dull day today, hard to get a good photo without more daylight, but this image does give a sense of how this quilt is building out.
I added a row at the top and along the left side, a panel across the bottom and another (built from two smaller panels) to the right. Along the way, I found myself taking bits apart and changing out blocks to better the colour movement down and to the right.
The next section is a panel, constructed from segments of the background with just a few HST dotted here and there. This panel will extend the length of the whole by about a foot giving a good throw quilt size.
The final borders are constructed from background fabric – and I’m pretty sure I don’t have enough. With a bit of luck the yard I bought online the other day will arrive soon.
There it is. I’ve just finished assembling the central panel.
It took a careful, precise pairing of blocks in rows, making sure I pressed the seams in an appropriate direction so I could juxtapose the blocks when stitching the rows. Not a task for the disorganized. Fortunately I’d taken lots of photos of the arrangement on the floor so I could refer to them as I was painstakingly sewing these blocks together.
I’m happy with this layout – I got rid of a lot of the “squareness” in the pattern and what’s left will be dulled when I add the darker bordering elements which are all much darker.
I also managed to align the points pretty well (not perfectly – I can see a few small irregularities) – even another quilter would have to have an eagle eye to spot them.
So, tomorrow – since there is no aquafit (the pool is closed for the next 10 days – probably longer – COVID-19 precautions, right? We’re all working hard here in NS to keep the lid on the virus – we’re getting spread but so far it’s not escalating exponentially…). I have NOTHING else on my calendar. I’ll be able to get up and get to work on the next set of bordering panels.
[BTW: The pink bit in the lower right corner is a post-it note saying “Bottom Right” so I had a reference point to keep me oriented as I was assembling the panel (I built up the panel starting at the bottom rows simply because I could reach them more easily without having to worry about inadvertently shifting blocks).]
[BTW 2: Yesterday I bought some of the striped fabrics specified in the original quilt pattern – I’m thinking it might be interesting to try this quilt again as a “postage stamp” quilt ending up with 1 1/2″ blocks. That’ll be a challenge because the HST will be very small – same number of blocks, however. I think those striped fabrics were an interesting aspect of the original design and I want to see if I can make them work without following the pattern!]
I’m progressing – I haven’t begun sewing yet – I’ve spent the past three days walking around the panel arrayed on my floor, moving a block here, changing a block there.
This morning I removed 8 HST with the bright blue with dots and remade them using some Stonehenge fabric (in dark blue and teal tones) which I bought yesterday. Then I placed them into the array. They register as medium in colour supporting the “bright” centre of the panel.
The “squareness” of it is now more or less gone. I have the light moving toward the bottom left corner. The adjacent panels will continue that colour movement. I’m now ready to assemble these rows.
In the meantime I’ve begun laying out segments to fit around this piece which bring elements of the medium and darker blue shades into mostly background strips and blocks. I have sewn a portion of one of the side panels and lain out two others. These pieces become constructed, more and more, from the background Sparkle fabric, until finally the borders just use background (fingers crossed I actually have enough – I ordered another yard yesterday just in case because I have a suspicion I will need more than I have).
I finally have a handle on the ratio I’m working with. My quilt will turn out 78% of the original (that’s because I changed 4 1/2″ blocks to 3 1/2″). Knowing that ratio now lets me construct the panels elements and borders which I intend doing after I sew the main centre panel together.
I’d seen a photo of the Comet Quilt some time ago and thought it would be fun to try creating something like that – a light centre against a dark background. I went through my fabric stash and pulled out a pile of light batiks, a bunch of medium, and a few dark.
And then the fabric pile sat there while I worked on the three Skyline quilts. I was intending to work on a wall art piece next but the fabric pile started calling to me – I looked at the Moda pattern to get an idea of how I wanted to work on this. I wanted a throw size (~50″ x 70″) – quite a bit smaller than the pattern was describing. So I had a couple of choices – fewer blocks, or smaller ones. I decided to duplicate the 18 x 23 blocks using 3 1/2″ half-square triangles (finished size 3″).
This is where the whole process becomes quite complicated. I’m using a set of my own fabrics (not those in the pattern) so as I read through the pattern to guesstimate of how many HST I would need I realized I was not going to be able to manage any kind of match-up to the blocks in the pattern. I cut the same number of light blocks, medium blocks, dark blocks. I matched up some light/light light/medium, light dark, medium/dark, dark/dark combinations, marked the stitching lines, sewed the blocks, cut them apart into HST, pressed them, and trimmed them carefully to 3 1/2″.
Then I cleared a space on my studio floor and began laying them out:
I put the Moda instructions with photos aside and just played with the blocks trying to create the “startburst” for the quilt centre.
I’ve been taking photos, moving blocks around, taking more photos, moving more blocks. this is where I am at the moment – the central 11 x 11 block centre panel. I’m sure when I see this tomorrow morning in the daylight I’ll move blocks again.
In some ways this improvisation is easier than trying to follow the pattern layout! I can just make decisions based on the blocks I have and see how the panel turns out.
What’s obvious is that my “medium” colour tones are brighter than the fabrics used for the original. So my quilt, overall, will be brighter than the Moda original.
Once I’m satisfied with a layout for this panel, I will sew the blocks together, first into rows, then stitch the rows. I have to do that, because I will need to plan the outer panels based on the size this panel works out to be. The Moda pattern will give me an idea about how I will want to use my dark/background HST squares but I can’t cut my background fabric yet because I don’t know the size required for the remaining elements!
Last week Ruby handed me the sleeve from an old Persian lamb coat – wondering whether I could make a small zippered handbag for her.
I cut a strip from the sleeve, discovered some original lining inside (still usable), added a bright red zipper and a bit of leather lacing for a handle – and there you have it: a small Persian Lamb handbag – finished size close to 7″ x 9″. I also put a small zippered pocket on the inside! (I used a leather needle and ordinary polyester thread – the machine handled the stitching just fine.)
Persian Lamb Small Handbag
She should be happy with that.
After finishing the last pair of socks I picked up this ball of Antarctica yarn which came in a “mystery bag” of sock yarn I ordered from Hobbii (in Denmark).
It’s one of those balls you want to use up quickly but I realized I’d be more than bored knitting this yarn…
It’s a lovely texture yarn, nice to work with, but the colours are so bleh! So I added a bright leftover that I intended to interweave through the Antarctica yarn:
Ugly Yarn + Bright Leftover
This is what the sock is turning out like. By chance, the heel more or less fit in the green section, almost the whole heel, so I decided to keep knitting with just the original yarn.
Right now my plan is to continue the foot in the Antarctica yarn, introducing a bit more of the leftover somewhere past the instep for a short distance – mainly to extend the yellow section (which will knit 20 rows – I counted that in the leg).
If I’m lucky, I’ll be able to end the toe in mauve to match the cuff –
Finished the third quilt a few days ago. It didn’t take as long to quilt as I’d anticipated in large part because instead of quilting single blocks I was able to quilt two at a time using the 360 x 260 hoop. I probably could have quilted 4 at once using the large “Garden Dream” reversible hoop (360 x 350) but it was just as fast to re-hoop blocks as it would have been to fight to take the hoop from the arm and turn it around and hope the positioning was close. The problem with that large hoop is getting the second side to align with the first. So I rarely use it for quilting.
I am happy with how the layers on layers of circles turned out. There are actually five complete circles but they’re not obvious in part because the four quadrants are all different. But that’s also what helps with the layered effect.
To quilt it, I used a floral design I’d created for another quilt doing my best to overlap the stop/start positions where the design ended and began in adjacent blocks. Overall, the effect is to appear to have been done using a long-arm quilting machine.
Again, I used a strip from the original Hoffman “Skyline” fabric as a strip in the back – making sure I had it right side up in relation to the front of the quilt.
The three quilts together as a set I’m calling “The Sisters”!
Three very different quilts all from the same fabric.
This morning I managed to complete 24 more blocks (14 left to get me to 63 which I’ll get done tomorrow).
49 Blocks – 7 x 7
I’m not going for a traditional drunkard’s path layout – I want a relatively random layout with probably 5 complete circles (at the moment I have three) and the rest partial circles which creates the illusion of layers of circles. The colour flow is working out but I won’t be satisfied until I have all 63 blocks on the floor and I can photograph them and move them around.
If I stay with a 7 x 9 array (63 blocks) I will end up with a 40 1/4″ x 51 3/4″ panel. Since I want the final project to be close to the size of the other two quilts – 48″ x 64″ I can either do a narrow 1″ sashing with the dark blue grunge I used on the wedges and a 3″ border strip from the Skyline fabric. That gives me the width (40 1/4 + 2 + 6 = 48 1/4″) but short on length (51 3/4 + 2 + 6 = 59 3/4″). If I were to add a 10 row to the bottom, I’d end up at 57 1/2 + 2 + 6 = 65 1/2″.
Or another way to solve the size problem is to add two more rows and a column to make an 8 x 11 array (46″ x 63 1/4″), a wee bit shy on width and length but close enough to the other two that I could live with that. In this case I’d need 25 more blocks. I have the fabric to do that – I bought the end of the bolt, another 1 1/2m of the fabric, so I have more than enough to create the needed blocks.
What I’m liking about this latter idea is that it mirrors the more modern finish I’ve used on the other two quilts. To finish the panel with sashing and a border will make it look more like a conventional quilt even with a hidden binding.
So after I’ve laid out the 63 blocks and stitched them together I’ll audition the sashing/binding idea but I’ll probably take time to construct another 25 blocks….
Christmas Fruit Cake
Christmas Fruit Cake 2020
Canadian Thanksgiving was last weekend. I always make fruitcake just after Thanksgiving so two weeks ago I bought the candied fruit, raisins, dried cranberries, put it in my 27c Tupperware bowl with lid then added a pint of dark Barbados rum and left the mixture to soak for a week.
Today was the day. I’ve ended up with 10 2lb loaves (plus a single small cake) which will get wrapped in waxed paper, stored in a ziplock bag, and kept on the bottom shelf of my refrigerator for the next two months.
Right now, the cake is kind of “cake-y” but in two months time it will be dense and moist from the rum working it’s way from the saturated fruit into the cake. Just in time to give it away for the holiday.
That’s my single big Christmas preparation – all done.
Yesterday I completed 25 blocks for this quilt – it’s starting to look like I want it to – circles on circles. Nothing is in place for sure yet – can’t be until I have all 63 blocks stitched and trimmed. I know there will be movement once I get the layout on the floor to audition all the blocks at once.
It’ll be another couple of days before I get the remainder of the blocks done and laid out – then I will photograph the array and think about what I’m seeing before beginning to assemble rows, moving things around as I discover repetitions and some areas that are too light and others that are too dark….
That’s what it’s like when you aren’t working from a pattern – just an idea.
BernieLynn wrote questioning the “L” part of the drunkard’s path block – she wasn’t seeing what I was describing. So here it is.
A drunkard’s path block consists of two parts: a “pie” or quarter circle and an “L” or complement to the circle:
You can purchase acrylic templates of various kinds; you can make your own.
To construct a template first you need to decide on a block size (remembering to add the outside 1/4″ seam allowance – hence 6 1/2″ (for a 6″ block) or 6″ (for a 5 1/2″ block) etc.).
Draw an outline for your block. Next construct a quarter circle (using a protractor, a plate, …) using a radius between 1/2″ to 2″ shorter than your block size, making sure the arc ends are symmetrical. This creates your “pie” shape. The line you’ve drawn is the seam line. The complement is the “L” shape.
To construct seam allowances you draw another line 1/4″ from the quarter circle arc on EACH side of the arc line (I use a different colour pen to draw these two lines to differentiate them from the original arc line). Using template plastic, trace the quarter circle piece using the arc line farthest from the apex of the arc – this is the “pie” cutting line. Reposition the template plastic and trace the quarter circle using the arc line closest to the “pie” corner – this is the cutting line for the “L” piece (it’s a smaller quarter circle).
You end up with two quarter circle templates, one a half inch larger than the other.
To cut the “pie” pieces from fabric, cut a strip the width of the 1/4″ circle radius (the length of one side); to cut the “L” pieces, cut a strip from the fabric the length of one side of the desired pre-trimmed block size – this will be wider than the strip for the “pie” pieces. [For my blocks I cut 5 1/2″ strips for the “pie” pieces; 6 1/2″ for the “L” pieces.]
In my block I’ve made my overall trimmed block size 1 1/4″ larger than the radius of the “pie” piece:
When I’ve finished sewing blocks together there will be a 1″ border around each circle or partial circle.
But you can construct drunkard’s path blocks that have no border around the quarter circle. These are a bit trickier to stitch because you are working with just 1/2″ of fabric on the ends of the “L” shaped piece to end up with a 1/4″ seam allowance for joining the blocks:
It’s all up to you and how you want your final project to look.
In this case I want the circles to be circumscribed within the blocks rather than touch the edges of each block as I did in Let The Trumpet’s Sound.
Yesterday I pulled a pile of Grunge fabrics from my stash, looking for bright colours to strengthen the bright elements within the panel.
I’m after a final block size of 5 3/4″ (I’ll go down to 5 1/2″ if I have to). I began by cutting 5 1/2 strips from the panel, cut them into blocks, then cut the “pie” shaped pieces from those.
Next I cut 6 1/2″ strips – enough so far for 48 blocks – then cut the “L” shaped pieces from those (that gives me 48 “pie” pieces to use for another project!). Then I cut 2 “pie” pieces from the grunge fabrics.
I paired dark to light/light to dark (more or less) and set them into two piles. Then I began stitching some drunkard’s path blocks. Everything you read recommends doing a lot of pinning – I find I get a better block if I do no pinning at all – just align the “pie” element on top at the end of the “L” piece, then using my 1/4″ right guide quilting foot to slowly stitch the curved seam, aligning the edges carefully as I go along. My resulting block isn’t perfect but close enough that I’ve been able to trim them to 6 1/4″ which will give me a finished 5 3/4″ block.
I’ve finished seven blocks and as I go along I will play with layout. I’m already liking how the buildings in the panel have disappeared and the colour definitely stands out. That was the effect I had in mind and it looks like it is going to work out as I was visualizing it.
Now I need to construct the remaining 41 blocks. I’m anticipating a 7 x 9 array – 63 blocks in all so after the 48 I will still need to cut out and stitch 15 more blocks. I have more than enough fabric from the panel to do that. I’ll cut them out tomorrow.