The quilt turned out a bit larger than I usually make – the addition of the drop shadow sashing added 2.5″ to the width and 3.5″ to the length and the outer border added another 6″ – finished size: 54″x 72″. But the drop shadow sashing was needed to brighten the whole thing and make it less “pink” and the top needed the wide outer border to give the quilt definition.
In the end I did quilt-in-the-ditch along the sashing and the drop shadow. I quilted with a block single run embroidery. The border was also quilted with a long, narrow embroidery which turned out well. I used a purple variegated Sulky 30wt cotton. (Can be annoying because if you don’t use a 90 top stitch needle the thread is prone to fraying and breaking. I used a 90 stop stitch needle and I still had some breaking.) However, the quilting went relatively smoothly overall.
I’m pleased with how the quilt back turned out as well – the large pieces of fabric with narrow contrast elements plus the pieced strip worked out well and the horizontal stripe adds more interest. I must say, I like the Grunge (Moda) fabrics – the tonal quality of them adds lots of life to a fabric, very useful for quilt backing.
You won’t notice it but I added a piece of the turquoise contrast fabric to the binding “just because”.
That’s quilt #5 since August – five quilts/four months – not bad. That’s it for quilts at the moment – now onto a Kantha jacket for a friend, then a couple of pairs of cords for me and a wall art piece based on a photo I took in Italy in April. No end of projects, just not enough time.
Assembled the back for Purple Passion yesterday. The point was to use up leftovers and retain enough of the purple grunge fabric to be able to bind the quilt without having to buy more fabric!
Purple Passion – Quilt Back
I used leftover blocks from the quilt top, cut in half to assemble the narrow pieced strip, then used large blocks of the leftover fabrics to create a wide strip. I decided this time not to insert the strip but to use it as a panel on one side, instead.
Then I set up the quilt sandwich – I’ve described how I do this somewhere in the blog but can’t find the specific post. When I started quilting, I would tape the quilt back to the floor, lay the batting on top, then position the quilt top, smooth out the whole thing and pin.
Pinning The Quilt Sandwich
But getting up and down has become difficult – it’s an age thing – and one day I tried rolling each layer on a pool noodle, and working on my dining room table. That made assembling the quilt sandwich quite a bit easier.
One day it dawned on me that 1 x 4 boards would provide some weight and allow me to apply a bit of tension to each layer as I progressively pinned the sandwich. That’s what you see here. Each layer is rolled on a board, the layers placed on top of one another. I will pin the exposed layers, roll that part up and continue pinning until I’ve reached the other end, taking care to keep the quilt back as smooth as possible. I’m working on my cutting table which is a good height for this step – I don’t have to bend over as I did on my dining room table – much easier on my back.
I’m now ready to begin pinning. Once that’s done, I will stitch-in-the-ditch to stabilize the sashing and outline the narrow drop shadow border. Then I’ll quilt each block once I’ve created an embroidery for this quilt.
I described the start of this quilt ten days ago. Here’s the quilt top completed.
Purple Passion, Top
Turned out to be a real challenge to distribute the colour when I tried laying out the blocks! Because I had decided to use three different fabrics in each block, that meant I was continually running up against the same fabrics when I juxtaposed blocks in a row and across rows. I did a ton of swapping around to little avail because I would find that same fabric in an adjacent block. Also I wanted to alternate the diagonal blocks with fat pointed ends coming together in sets of four at the same time I was trying to distribute the solid blocks. In the end, I just started adding the contrasting turquoise sashing and stitching the blocks together in rows! That’s what you get when you’re not working from a pattern or a set of instructions but trying to improvise as you go along. The result is OK but not spectacular – I’ve ended up with clumps of colour rather than it being distributed more evenly. The problem would have been less severe had I elected to use fewer fabrics – twelve turned out to be too many.
Now on to the back. I picked up more purple grunge fabric yesterday. I will need to create some kind of insert to widen the length of backing. I will have to look through my Pinterest collection of quilt back photos for ideas.
I came across another face the other day:
It was sitting on a friend’s kitchen table. A rather scary face – mask-like – with big eyes and a grimacing mouth. I also saw an ad recently (can’t remember what it was for) that subtly used sink faucets as faces in the background. I’ll have to keep an eye open for it – not great advertising if I can’t remember who was doing the advertising!
Quilt back is also completed. I used the leftover bits to create four blocks like the ones on the top, and inserted uncut blocks of the original strips. With sashing I was able to get a 12″ strip to insert in the back. Now I’m ready to assemble the quilt – I’ll get that done later today. My next task is to create an embroidery design for quilting the quilt.
The back looks wrinkled even though I’ve pressed it, but it will be taut once I’ve pinned the layers together and hooping each block to quilt it will tighten all the layers so the quilt will lay flat.
Just finished applying the borders to the quilt panel to finish the quilt top. It does look the way I wanted it to – dense toward the upper left and more open on the right and bottom. The last column of blocks went quickly since there was much less piecing involved in constructing them.
Completed Quilt Top
However, I did have to go buy another 1/2m of background fabric in order to set up the 6.5″ wide border strips. Fortunately, I’ve found backing fabric in my stash so I don’t need more fabric for the back of the quilt. I do have enough leftover strips to piece a strip for the back but I don’t know what I’ll use to bind the quilt – I may use the pale grey Grunge (Moda) fabric rather than bring in another colour for the front. I’ll see what looks reasonable once I’ve done the quilting.
Final size approximately 48″ x 64″ – a good size for a lap quilt.
I did get done today what I wanted – adding columns 4 & 5 to the developing quilt top. The two columns went quickly because I now understand what I’m doing – I didn’t when I began and the first few blocks took a bit of time.
Columns 4 & 5 added
The process is now streamlined – four 6.5″ squares of pieced strips are stacked and cut into four irregular strips, laid out in order for the block, then stacked again so I can chain piece the narrow sashing to three, join the pieces and add the fourth; press, add the bottom sashing, press, add the side sashing then join the blocks in the column – it’s going quite quickly.
I have the cut strips for the sixth column prepared and laid out – tomorrow I will sew them, create the column, and add it to the other five. That will just leave the two narrow borders and the two wide borders to add. The top might be done tomorrow!
Then I have to decide what to do with the quilt back…
Finally finished, binding and label. I’m much happier with the quilt now that it’s finished. The quilting using a darkish bendable thread tied the Kona cotton elements to the rest of the quilt quite well and I have to admit I did one other thing – I toned them down using a fabric pastel crayon which darkened them a bit and hints at texture in much the same way some of the other fabrics do. Once pressed with a steam iron, the pastel dyes the fabric and will withstand washing.
It has the impact of a modern quilt.
Blushing Peonies II – A Modern Quilt – Top
I used flying geese to make a strip to widen the back – they don’t look like flying geese because there isn’t a consistent “background” to highlight the “geese” – however, the pattern created by the large and small triangles showcases the fabrics. The sashing elements I decided to make asymmetrical and I like how they offset the strip and tone down the red backing.
Blushing Peonies II – quilt Back With Flying Geese
After the showing in Parrsboro, my sister Donna expressed interest in the Bordered Diamonds quilt. I gave it to her. She has it hanging in in this bright green room. I love how the green makes the batik fabrics pop and how the colour flow in the quilt ties in with the navy sofa.
Bordered Diamonds – 2012
The other day I was at the physiotherapist – I was at one end of the room and this photo at the other end caught my eye – at the distance a face popped out – two eyes, the left cheekbone, mouth, the suggestion of a blue hat. It’s actually a photo of a waterfall but for me – it’s a face!