I’m not sure what to call these wall art pieces – they’re narrow raw-edge appliqué quilts constructed from a simple pieced background with a few fused top elements. It’s the simplicity of them that captured me in the first place and I decided to offer the idea as a class.
The class was yesterday.
To prepare for the class, I set up four skinny quilts as examples. I’d sewn backgrounds using narrowish width of fabric cuts from complementary fabrics and then cut out and arranged on each some shapes (to which I’d already added fusible web).
Panel #1: Diamonds.
I’d cut out more diamonds but decided to go with fewer and to bring the viewer’s eye toward the the bottom of the panel I added a single slightly smaller diamond.
Panel #2: Cascading Circles
From small scraps I cut out colourful circles in decreasing diameter, then fused them on the centre in increasing distance from one another to simulate a cascade.
Panel #3: Squares
With this panel I decided to keep the squares the same size, but when I laid out the squares I thought a couple of smaller squares top and bottom would balance the array. Then, as I was fusing the squares in place I decided to fill in the gap near the bottom right of the arrangement with two different small blue circles. I’m still deliberating whether or not to add something nearer the bottom of the panel.
Panel #4: A School Of Fish
The fish were leftover pieces I’d saved from the just finished quilt. As I was cutting out the “X” pieces I realized I was creating “Fish” shapes which I saved thinking I’d find a use for them at some point. It turned out the light coloured fabric was short a few inches from a full width of fabric panel so I added in the dark blue piece (also a leftover from the just finished quilt). The school of fish is swimming at the bottom of the panel.
The women in the class had a great day – the projects were simple enough for them to create the background panel, decide on some kind of appliqué, edge stitch the fused pieces, add batting and backing fabric, then sew on hidden binding strips on all four sides.
Not everybody got as far as the binding strips (everybody did finish the edge stitching of the appliqué) but Azar managed to complete her panel – she just has to hand stitch the hidden binding on the back and she’s ready to hang it.
Azar’s Skinny Art Quilt
The other women are joining me next Wednesday for a “come and sew” session where I can help them complete their panels. I hate leaving a class with another UFO and no idea how to finish the project.
I didn’t have a “pattern” or set of instructions for making a skinny quilt – the point of the project was to encourage the women to take an idea and improvise on it – to look at the fabrics they have on hand, set up a background, and add something simple, but elegant on top, do a bit of stitching/embroidery, then do an elegant finishing to create a piece of art.
Next week, I may set up one of the high-end embroidery machines in the shop to embroider signatures on each of their pieces – works of art, are after all, signed. I sign and date all of my wall art work!