I finally have a quilt on the go.
I started by pulling from my stash a double jelly roll of batik fabric (5″ width of strips) with an idea – but beyond opening the package of fabric strips I haven’t been stuck. Nice fabrics but I just can’t find a way to start. Next I pulled out a charm pack of blue batik fabrics (5″ squares) and that seemed to get me underway. 5″ squares are rather small – ending up as 4 1/2″ blocks so I’d need a 10 x 13 array at the least to make a decent size quilt.
By adding more than twice the number of squares in the charm park using fabric from my stash of fat quarters and scraps I’ve managed to come up with 130 blocks to set up a graduated 10 x 13 array from light to dark which I can see serving as background for an appliqué quilt.
I’m still not sure what will develop as a layer on top of this background – I will likely use circles somewhat in the way I did the original “Double Vision” quilt which my niece now has.
The question is what colour palette will complement these blues – shades of green ranging from light chartreuse to dark green/blue? I’ll have to see whether I have enough fabrics in my stash to make this work.
More as the work progresses – now to stitch this assembly together. That’s for tomorrow.
Just finished. I’ve spent the past four days stitching the edges of the appliqué – the leaves and flowers, and creating embroidered flower centres. It’s been slow but steady. Whereas I did a narrow quilt border on the previous version of this idea (flowers on a black/white background), this time I took the flowers to the border edge and decided to do a hidden binding so the cropping of the flowers was easily evident.
Modern Flowers – II (Wishing For Spring)
This version of the idea is brighter than the previous one. I could continue with variations on this theme, but I’m going to stop here. This is wall art piece #9 – I’m aiming to have 12 pieces completed by the end of July – so I’m getting close. On to other ideas.
Last week I cut a set of “watercolour” jellyroll strips in to 2″ blocks – I want to try doing some kind of “watercolour quilt” with the fabric squares – a wall art piece, actually, not a lap/throw quilt. I thought this would be a quick and easy project – not so sure now that I’m trying to lay out the squares in some kind of dark/light array.
There are quite a few people who are doing these quilts – there are any number of tutorials on how to make one. They use a special fusible gridded interfacing – not going to bother with that – I am planning on simply sewing the blocks together in rows based on the layout I create on my cutting table. Also many versions of these quilts use the “watercolour” piecing as a background for something else – I may end up doing something like that but I have no idea what the top appliqué elements might be at this point. Anyway, this is the next project I’m going to try – let you know how I get along!
I’ve been looking at pictures of quilts by Freddy Moran – large bold background with appliqué collage in strong bright colours. I decided to try something like that.
I set up a black/white fabric background, then began cutting out flower-like shapes in layers and bright colours. Nine large flowers later I thought I needed to connect them in some way so I included a long flowing branch of leaves. Then added a few lighter green leaves (from a floral print fabric) to just finish off the appliqué.
Now to start thread painting – here’s where I can use contrasting colours, particularly on the leaves and stem to make them brighter. No time to even start that today – tomorrow, for sure.
Made quite a bit of progress today – having decided to use the blue/green fabric for the border, I chose some blue/teal embroidery thread and overstitched in the dark green areas and while it isn’t sharp in the photo the stitching does tie in the blue of the border.
Thread Painting and Borders Almost Completed
Then I began working on the poppies – finished the centres, did some thread painting on the petals (may still do a bit more), added a bit of red stitching to the opening flower buds. Then I added the wide outer border and blind stitched the mitred corners.
Now I need to cut a piece of muslin for the back, and a couple of strips from the outer border fabric to do a hidden binding.
Poppies – Original Photo
Above is the original photo that served as inspiration for the textile piece. I think I’ve come close to capturing the vibrance of the poppies at the peak of their beauty.
Now to finish the piece and move on to the next one.
Yesterday, I started by adding fusible web to background fabric. I also did slight enlargements for a couple of parts of the image and printed them on fabric (adding fusible web to those fabric printouts). Today, I started building the background. I had laid out a piece of muslin 20″x24″ and backed it with batting; I serged around the outside to hold the layers together, then marked the horizontal and vertical centres to use for marking the 9″x12″ layout for the image. The muslin/batting functions as a canvas for the fabric/thread painting that becomes the art piece. I’ve purposely made it quite a bit larger than the image to give me lots of room to frame, then trim the piece.
Rather than trying to piece the hosta in the upper left corner I elected to use the image printed fabric and I will add definition with thread painting. Same with the poppy leaves – they are very fine and frilly and I didn’t have any fabric that implied the texture so I also chose to use the image printed fabric for them as well. The taxus, the grass, and the blue house are filled in with printed/batik fabrics. I pressed the elements into place leaving an opening for the poppies which, for the moment, are being shown with an outlined paper cutout.
Background In Place
Once the background was set up, I traced the poppy petals based on the lines marking petal edges on the paper flowers. So far I’ve cut out the templates for the larger flower and begun cutting out fabric using the templates – I’m about half-way around the flower. I numbered each petal element both on the template and on on the paper so I can easily reconstruct the flower.
Templates Created For First Poppy
I will set up the poppy using a silicon press sheet so the fusible web on the back of the petals won’t stick to my ironing board. Once assembled, I’ll iron the completed flower in place – that’s after I build the other flower because the flower on the right overlays the smaller, one!
And then the thread painting will begin….
I finished thread painting yesterday afternoon. I added a muslin backing and hidden binding. This morning I hand stitched the hidden binding in place. After all this time (I actually started this raw-edge appliqué piece on May 17, 2018) I have it completed – absolute done!
Tropical Flowers – Finished!
The project sat around for months while I worked on other things. I started thread painting this piece on Jan 8, 2019 because I was teaching a class on thread painting and had to have something to work on myself. I got into the thread painting seriously after Jan 17 – when I completed the framing (I’d done that early in the process because I wanted the women in the thread painting class to see how I go about finishing my work). I spent time filling in leaves, then flowers. In the beginning, each leaf took a day or three to complete.
I was sure I’d taken on more than I’d expected when I started out. But as days went by I could see I was making headway. Jan 20 – one leaf finished; Jan 22 – a second leaf; Feb 11 – I got back to the piece (after working on some new quilts and planning two wall art pieces) and finished an Anthurium; Feb 12 – more progress; Feb 13, Feb 17, Feb 18, Feb 20 – I continued thread painting elements until yesterday when I stitched the last of the Plumaria!
People often ask – “How long did a particular piece take”? It’s not a simple question. As you can see, I started this piece on a whim back in May, it sat around for several months before I returned to it. The thread painting was slow going to start with but as I made progress I was able to stick with it for longer. When nearing the end I worked on and completed elements in a single sitting (although I felt tension in my neck and upper back).
You can’t see the thread painting in the upper photo – here are photos of the detailed work:
Epiphyllum – Detail
Plumaria – Detail
Anthurium – Detail
I feel a weight lifted having finally completed this work. The gals in the thread painting class are meeting again on March 5 – my piece is done. We’ll spend time that day working on framing and finishing, even if their thread painting isn’t completed. I want to create motivation for finishing their projects.
Tomorrow I’m going to return to Poppies which I began Feb 4. Time to get back to that and to Two Men in Cortona.
An end is in sight – I’m now working on the last elements – the Frangipani/Plumaria flowers. Are they ever tedious to work on. I’ve managed to stitch the dark red/medium red central elements of all the flowers. I’ve just finished the yellow petal colour on two of them!
That leaves two small clusters of two/three blooms and one larger cluster of 7 flowers/6 buds to do. I’m going to work on the small clusters first – getting those done will make the task seem smaller. I’ve reached that point in the project where I just want it done. I’m tired of the careful, meticulous stitching. I want to get on to other projects including a couple of pair of corduroy pants that have been on the to-do list for quite a while.
This is it for today. I’ll get back to this tomorrow – maybe I’ll manage to get the two smaller clusters done which will leave just the larger one to complete – maybe on the weekend. Yeah!