The Ice House Gallery show, in Tatagamouche, went up on Dec 3. All of the wall art conformed to the 6×6 challenge – amazing the diversity of the offerings, the show as a whole was stunning. I didn’t actually get to Tatamagouche but Brandt posted photos of the show and of individual pieces (mine are near the bottom of the posting) – you can get a feeling for what you’d experience were you to walk into the gallery.
The show will get taken down coming week, I imagine. Brandt was pleased with sales in the first couple of days. I have no idea whether any of my work actually sold. Brand will bring my pieces back to town sometime soon.
I finished the edge stitching, embroidery and leaves/stems on the last of the ten pieces this morning. I removed the excess stabilizer from the back and pressed each block.
Now each needs to be mounted on a 6×6 stretched canvas panel. I still have to decide whether to place batting beneath each before securing the silk to the back of the wooden frame. I’ll cut out a few pieces of batting and see how it looks. I also have to trim the silk panels to remove excess fabric so they’ll attach smoothly to the framing.
That’s for another day.
I survived Hurricane Fiona – the NE winds howled and pounded rain against my windows for a couple of hours. This storm was as severe as Hurricane Juan in 2003 – even though landfall was about 150kms from Halifax (Fiona came ashore at Canso) – in 2003 the city took a direct hit. Nevertheless winds here were strong enough to do significant damage. We were given ample warning – emergency measures folks were concerned about damage from falling trees because they still have all their leaves. They weren’t wrong.
I didn’t suffer a power outage, although a good portion of the city is still without electricity and for some it will take days before repair crews can get to them. A friend came over this morning to shower and do a bit of laundry! She’s hoping to have her power restored before Wednesday (which is her predicted date!).
It’s taking about three hours to do each block what with the edge stitching on each piece of fabric, free motion stitching in the stems, stitching the leaves (which are decorative stitches) and embroidering the centres (which is taking way more time than I expected – for some reason my top thread is fraying when I’m embroidering so I get stops where I have to clean up the mess, backtrack the embroidery, then continue stitching.
So far, the signature is stitching out without breaking the thread! After I’ve pressed the block, I’ve redrawn the 6″ outline with a Frixion (heat-erasable) pen so I know where my edges are.
Three more left of the original six I prepared. When those are finished (in about a week or so) I’ll layout the remaining four.
Finished this pair of socks on Friday and began a new pair that I think I might keep. The stash keeps growing – I will definitely have plenty of socks to share for Christmas. Last week I contacted the gal who wanted 4 pairs of socks from me two weeks before last Christmas – I told her this was the time to place her order. She said no socks this year. Do I really believe her? When she asked last year I just squeezed her order through – I had to take one pair, remove the toes, lengthen the foot by an inch, reknit the toes – she was lucky I had enough time to do that. I’ve already put aside a couple of pairs with someone’s name on them. I’ll just keep knitting as usual.
The Christmas Show Challenge
I finally made a decision regarding the 6″x6″ blocks – to use the textured raw silk for the background, to fuse batik circles of various sizes to the background to simulate “modern flowers”. I cut out ten 10″ blocks from the raw silk I have on hand, backed it with sewer’s dream to stabilize it, marked 6″ squares in the middle (using a heat erasable pen). Next, I added fusible web to a pile of batik scraps and cut out a lot of circles. I have started arranging and fusing circles to the raw silk.
Because all ten blocks will be shown next to one another, I’ve worked to vary placement, even cropping some of the flowers so the appearance of the blocks is different. I have to edge stitch the cropped edge so there are no raw edges at the edge of a piece.
I’ve completed one of the blocks
The slight wobble at the bottom of the block will be eased out when I mount the fabric over the stretched canvas.
Looks like each block will take me between 2 and 3 hours to embellish. It doesn’t look like a humungous amount of stitching but it takes more time than you think to edge stitch each bit of batik, then to add stems and leaves, and signature. The stems are free motion. The leaves are decorative stitches each requiring careful placement. The flower centres are embroideries which want precise positioning and often involve thread changes. It all takes time.
I’ve got another block sitting on my machine waiting to worked on tomorrow.
In my stash, I have several metres of raw silk – I bought it in Toronto in 2008 to do wall art. I cut a strip, backed it with sewer’s dream – light weight woven fusible interfacing – to stabilize the weave of the silk and to eliminate some fraying at the edges, then cut the strip into 7 1/2″ blocks. I also had some fabric with these roses which I thought might work as appliqués – I backed a piece of the fabric with Pellon 805 fusible web, fussy cut these two flowers, fused them to the silk, thread painted them, added a signature, trimmed the block to 6 1/4″, bordered it, finally I mounted it.
Again, those corners are driving me crazy! Adding the black silk border adds quite a bit of bulk at that critical location and makes it nearly impossible to get a tight, square fold at the corner so while the fold look OK when you look at it from the side you can see the “pointy” bit sticking out when you look at the block face on.
I’m not sure how I feel about the raw silk – I think it has a bit too much texture compared to the woven silk I used on the other flower piece:
Also, I think I prefer the whimsy of the “Modern Flowers”.
I can’t source anything close to this woven silk here in Halifax; I’ve ordered several different types of silk from two different suppliers. Until it arrives (10 days/2 weeks?) I’ll keep playing with the raw silk squares, making more Modern Flowers arrangements. I think that’s where I’ve landed. Because I’ve cut the raw silk at just 7 1/2″ (8 1/4″ is what I need for wrapping around the stretched canvas) I’m going to have to trim and border the blocks but I want to explore different leaf types and lots of different appliqué placement.
My order of a dozen 6″ square stretched canvases arrived day before yesterday. I tried stretching some of the panels I’d made to see how it went. I first tried the crazy quilt block – I had already added a white cotton border to it so I darkened that with a black permanent marker (just to see what it looked like) then folded the fabric over the stretched canvas. Very difficult to get the corners tidy!
I next tried the beans – I didn’t bother trimming and making borders I was primarily interested in folding the corners. Again, they didn’t turn out as smoothly as I wanted. So I took both apart. I removed the canvas from the frame with the crazy quilt block – I wanted to use the canvas piece as a template to shape the bordered block. I trimmed both the crazy quilt and the beans blocks. Then I used double sided tape on the back of the frame so when I brought the border fabric around the sides and to the back it would stay where I put it without having to use a gazillion staples. I centred the crazy quilt block (trimming the corner from the batting underneath to eliminate some of the bulk in the corners) then folded the edges in the same way the canvas had been folded (which gave a flatter corner) and stapled the corners. I redid the beans piece the same way – the edges looked better.
I decided I should try adding a black border to the flowers – I have a large piece of woven silk shantung which my sister had brought me from Thailand at least 15 years ago. I’d made a pair of silk dress pants from half of it but I still have at least 2 metres so I decided I’d give it a try. The silk provides a nice matte edge but in order to sew it without a lot of fraying I will have to back it with sewer’s dream interfacing to give it some stability. The second challenge is to mark the 6″ square as accurately as possible, then add a line 1/4″ from that, so I can align the border silk and stitch an accurate 1/4″ seam. I did an adequate job on the flower piece but I have to become more precise because the light/dark join is obvious and has to be well done!
A quick try at “crazy quilt”. I learned several things with this experiment:
Leave out the batting, it isn’t necessary
Use light tear-away stabilizer instead
Be sure to save modified stitches as I go along so I don’t have to recreate them
The centre element should have a more irregular pentagonal shape
Cover area with fewer fabrics
Use brighter/lighter fabrics
Decorative stitch each strip as I go (much easier to make starts and stops exact)
In fact, I need to do another experiment – this time creating the entire block in the embroidery hoop! I’ve never done that but I have several block possibilities that create crazy quilt blocks as embroideries.
In any case, this is another possibility for the set of 6″x 6″ blocks!
With this block, I trimmed it to 6.5″ square, then added 2.5″ muslin strips to the sides to frame it. That will work. As soon as the 6″ mounted canvas arrives, I will try trimming and adding border strips in some colour or other so the sides of the pieces are uniform – that might be where the black comes in – the sides of the pieces could be finished in black fabric.
This block I created in the embroidery hoop using an embroidery design I had in my collection of embroideries. I like the shape of the central pentagon better – as I carry on – if I carry on – to create a series of these, I need to begin with an irregular central shape.
However, doing this in the hoop isn’t straightforward – the embroidery is set up to work with raw edges – the built in basting secures each piece but doesn’t take into account that the first basting seam needs to stop, the fabric turned, then the tacking to continue. In addition, I had to enlarge the embroidery in order to get a 6″ finished block – this resulted in the embroideries being larger than they want to be. Finally, the decorative stitching wasn’t done as the block developed but after all the fabric had been basted.
So, I don’t intend to carry on in the hoop – but this exercise was useful since I learned about
working in a clockwise order
trimming my fabric after each addition
leaving out the batting, using tear away interfacing instead, works well for the neatness of the stitches
and I still want to do decorative stitching as each fabric piece is added
This is the second “beans” experiment finished. I used a different stitch to edge stitch each swatch which worked better than the blanket stitch (the small fraying threads are contained). This time, the revised signature is a bit larger and actually readable! There are still one or two edits I want to make on the signature but it’s working better now.
On to another idea – a “flower” collage on raw silk – just to see what that turns out like in a 6″ x 6″ piece. I also want to create couple of crazy-quilt blocks to see what they turn out like.
I’m organizing our December show at The Ice House. Usually I do a winter theme but this year I’m changing it to a miniature show. There’s no theme so everyone is free to do whatever they like! The only requirement is that all the work is 6” x 6” in size.
My immediate reaction was to reply “Thanks for thinking of me, but I don’t work with anything that small…” however as I considered Brandt’s invitation I thought “that’s an interesting challenge” so I began playing with an idea.
I cut out a 10.5″ x 10.5″ square of white fabric, then went to the box of scraps with fusible web already applied, pulled out the bag with red/orange/golden bits and cut out “bean” like shapes. I drew a centre 6″ x 6″ block, then filled the space.
This is actually the first block I tried – after fusing the beans in place I edge stitched each, changing thread colour as I went along. The stitching took time, but it went reasonably quickly – fast enough that it was worth trying more (hence the second incomplete panel above).
Each piece needs to be signed. I sign my work with a machine embroidered signature. On a piece as small as this, the signature needs to be small! I spent several hours trying various fonts in my embroidery software but none is set up to create a stitched signature small enough. I wrote out my signature, tried using it as background to create an embroidery – those didn’t stitch out well either. I went back the lettering function on my machine – I got closer but size is still a problem.
After stitching a dozen or so variations of a signature (Newman 2022) I settled on one which I tested a couple of times.
Although I had tested the embroidery, when I finally added it to the completed panel it didn’t work out as well as I’d hoped. You can barely discern what’s there. So it’s back to the drawing board to see if I can work out something better.
The second challenge is how to finish each 6″ x 6″ piece – Brandt suggested I try mounting them over a 6″ x 6″ canvas – so I’ve ordered a dozen in that size to see whether that can work.
In the meantime, I have a bunch of ideas – appliqué flowers in this small format based on those I’ve done before, crazy-quilt blocks, tiny quilt blocks using a variety of piecings,… there are lots of possibilities. In the end Brandt wants up to 10 pieces of art – I’ll likely end up making quite a few more than that as I experiment with the size.