Escher Quilt – Finished

Escher Quilt – Finished size: 53″ x 67″

Just finished. I wasn’t sure it was all going to work but it has.

If you click on the image above you will see the quilting detail. I thought about some kind of detailed quilting design but there were two problems. First, I didn’t have a hoop large enough to manage any kind of large block and there isn’t a really clear hexagonal shape to work with, even if I did. I defaulted to a diamond shape which is all I could accommodate. Second, any kind of detailed quilting, like I used on the previous diamond quilts, was going to detract from the effect of the rising, interconnected, vertical elements of the quilt design.

In the end I quilted the “diamonds” using a straight line design alternating the direction of the diamonds to fit into the overall array of interconnected elements.

Quilting Detail

Then what to do with the borders? I decided to use a rather dense floral quilt design; I set up a modified version which I used to fill in the half-diamond elements top and bottom. That decision turned out well.

Quilt Back

I assembled a double strip of pieced strips to allow me to widen the backing enough to fit the quilt top. I bordered the insert strip with unequal strips of a light batik which blended nicely.

I finished the quilt with a narrow 1/4″ conventional quilt binding using 1 1/2″ strips from some Skyline fabric still in my stash which let me get away without having to piece a gazillion tiny leftovers from the Kaffe Fassett Collective fabrics. The binding finishes the quilt hinting at the colours in the main panel.

So, the quilt is done. I started playing with the idea on May 6 – so 2 1/2 weeks is the time it took me to construct, quilt, and complete the project. I’ve had a lot of uninterrupted time to sew since we’ve been on COVID-19 lockdown here in NS since April 25 (we expect to remain locked down until at least the middle of June – maybe longer because while new case counts aren’t going up to any degree, they’re not going down, either!).

Now it’s time to turn my attention to sewing some summer clothes – a couple of dresses, maybe a jean jacket, some linen pull-on pants. I have the fabric on hand. I’ll start by washing it all tomorrow.

Escher Quilt – 7

Redone – I removed the side border, extended the top and bottom borders, and added the 8th column.

Escher Quilt Top – Redone

I’m much happier with the balance. I understand why most people who make this quilt top choose to straighten the top and bottom edges but I find the zigzag edge an interesting detail.

So the top is now complete.

Next, the quilt back. I have to pull out the Kaffe Fassett Collective fabric leftovers and see what I can do with them. I have lots of the backing fabric (Ruby Star Society Speckled Metallic Navy 2021). I was able to pick up 3m on Wednesday at my local fabric store.

So now full steam ahead….

Escher Quilt – 6

I thought I had the top finished – I’d added the 7th column, finished off the ends with border fabric, and sewed a border all around.

Escher Quilt Top – Almost Completed

I liked how the border accented the flow of the colour in the panel, I was fine with the finished size (~48″ x 66″). EXCEPT I was NOT happy with the partial points on the bottom left and top right!

That’s solvable one of two ways: either by cutting off the top and bottom point elements; or by adding the 8th column on the right:

Escher Quilt Top With 8th Column To Be Added On Right

I’m leaning toward the second option – I’d like the quilt top to be larger rather than smaller; I also like the top/bottom points – even if they don’t match they are complementary.

So my plan is to add the 8th column tomorrow – it means redoing the top and bottom borders because they will need to be wider to accommodate the extra column width (the length of the side border remains the same).

I didn’t want to add the 8th column – it makes the overall panel close to square (remember I don’t have enough fabric scraps to add a row (or two) to the bottom). I will do that, though, because the unattached points top and bottom are just too jarring – the top and bottom need to be symmetrical (if different).

It also means I have to come up with some kind of idea for a strip for the back – if I’d not used the 8th column on the top, I would’ve inserted it into the back. Now I need to go through the Kaffe Fassett Collective leftover fabric and come up with something that complements the quilt top.

Escher Quilt – 5

Four Columns Assembled

Just finished assembling two more columns and attaching them to the previous two. This represents half of the quilt top. The top and the bottom need to be trimmed. I’d love to be able to add half blocks to the top and bottom edges but I just don’t have enough scraps of all of the fabrics to make 16 more triangles.

I’m understanding the design better now – all of the light (L) pieces have ended up on the left of the verticals, the dark (D) pieces are on the right; and the medium (M) have become the horizontal elements. Very interesting; I didn’t understand that when I started. With that information in hand I’d think about the order in which I laid out the fabrics so related fabrics would form both the light and dark portions of the verticals. That’s if I ever consider repeating this design!

My niece went “Wow!” when she saw a picture of the Escher Quilt and said she’d love to have one. I might just consider buying a kit to simplify choosing fabrics and laying them out so they create the colour flow which the original quilt displays. I’m just not sure I’m up for tackling this project again!

Escher Quilt – 4

I just finished the first column pair using all 16 triangles (twice):

I will end up with an almost square quilt top – 48 wide x ~ 52 long. I can’t add more elements to lengthen each column because I’ve run out of some of the fabrics. So this is it. I could change the width/length ratio by assembling just 7 columns instead of 8; that’s a possibility – and then add a dark 3 1/2″ border to extend the size. I’ll make that decision after I have the 128 triangles sewn together.

I’m more pleased than I thought I would be – the Escher illusion works better than I expected it to, given I wasn’t completely lucky with my fabric colour placement – but the interwoven branching columns stand out clearly.

So, just carry on.

Escher Quilt – 3

I just finished the last set of the 16 triangles for this quilt top. The connections now all work – after taking apart four block sets yesterday and rebuilding them clockwise this morning!

IMG_ 0764
16 Sets of Completed Triangles

It’s hard to tell from the photo how the connections flow (I just realized looking at the photo closely, that I will have to redo that final set on the top left – it’s going counterclockwise! #$^%!)

I was expecting the triangles to align in a single long strip, but instead the connections form a double set of four pairs which will repeat twice to form the strip – the fabrics at the top matching the ones at the bottom.

I’m now seeing some significant differences with what I was trying to do and what I now have. The original Escher Quilt by Chris Weinhold, uses Kaffe Fassett small prints – my fabrics are mostly large scale prints – makes a difference – the small scale prints show the matching better. Also, while I’ve figured out the blocks and how they go together, I didn’t take into account the actual colour flow well enough. We’ll see how this all looks once I’ve sewn the top together but the illusion may not work as well as I expected it to.

Now it’s just a matter of sewing triangles together in columns, then sewing the columns together.

I’ll start that tomorrow – AFTER I take apart the last triangle and remake it!

Next Quilt – The “Escher” Quilt

After I had the third diamond quilt underway I came across what’s called the “Escher” Quilt.

There are a lot of examples of this quilt online – I don’t know who developed the idea originally. The assembly creates the illusion of impossible interlocked elements. The quilter who’s photo I’ve shown below (whom I know only as “chiquitatarita”) posted photos of her quilt top in progress (she’d bought a kit using Kaffe Fassett Collective fabrics)- here she had two columns assembled where you can see the construction clearly. I even have quite a few of those particular fabrics!

I could make this simple and enrol in a class or I could buy a kit (which includes fabric, a pattern and instructions), but I decided to try on my own to see what I can construct using a relatively simple block.

Next I came across another blogger who also described how she worked with the kit she’d bought:

First we made a chart, and laid out all the fabrics, from one to eight down, and L/M/D across.  After cutting, we needed to then pair up the pieces according to the chart.  Each piece has a light, a medium, and a dark bar, but they’re different depending upon their relative location in the row.

http://sewinginwisconsin.blogspot.com/2018/06/the-escher-quilt-progress-made.html

This helps me figure out how to go through my fabrics and set up an 8 x 3 array as Sue describes above.

So I set out to create the basic block – it took several attempts to establish a size for the block using paper and pencil. Then I cut out bits of fabric to see if my calculations worked – they didn’t – not at first. However, I did finally manage to work out a reasonable size block which went together pretty well.

Triangle Unit
Triangle Unit 1

This block is one of a pair – the second one assembles in the opposite direction which lets you put the triangles together to form a connected “diamond” where the same fabric abuts to form a wide angle – you can see two in the photo below – one in brown, the second in green (I’m just working with scraps to see if I could set up a couple of blocks):

Three Triangle Units Sewn Together
Three Triangle Units Sewn Together

The precision issues won’t be with my cutting – I now have the dimensions I know will work. It’s my sewing that will create issues – I will have to be extremely careful to sew a “scant” 1/4″ seam. When I attach the triangle to the first trapezoid I need to stitch a partial seam – which is completed when I add the third trapezoid. Then I need to carefully press each resulting triangle so the centre triangle seams are pressed outward. Finally, I will need to press the block-joining seams open, so the assembly will lay flat. I also have to remember to create my blocks in pairs – one block having the small triangle at the left of the first trapezoid, the second having it at the right end!

Now it’s time to go through my fabrics – I want 24 – set up in eight sets of Light, Medium, and Dark. I don’t have complete colour ways sets of three but I’m sure I have enough variety in my collection of Kaffe Fassett Collective fabrics to make something that will work.

Diamonds III – Completed

Finished the quilt yesterday – at least for the moment I’m considering the quilt done. I’m still contemplating quilting the seams in the ditch but pressing has flattened the 6-point joins reasonably well – I may leave well enough alone.

Diamonds III - Finished Top
Diamonds III – Finished Top

Finished size: 47″ x 66″.

It’s hard to see in the photo but I finished with a 1/4″ binding using what scraps I could scrounge from the backing cut-offs (it was close – I have nothing left over!). In this case I stitched the binding to the front, hand stitched on the back (I usually stitch a binding to the back, fold over, and use a decorative stitch on the front). Stitching to the front with this quilt made sure I had an even 1/4″ dark edge to the quilt top.

Diamonds III - Finished Back
Diamonds III – Finished Back

This is the seventh quilt finished since last August – I have time to work on one more for the showing in Parrsboro, scheduled to happen through July this summer. I have more than enough of the Kaffe Fassett Collective fabric to work with – no point in saving it because I have more KFC fabric ordered to arrive sometime in June.

I signed up for the July/August “Kaffe Quilt Along – Gathering No Moss” online workshop being offered through Hyggeligt Fabrics in St. Mary’s ON. It was the colour of the blue collection that caught my eye. I don’t expect I will construct the suggest quilt – if I do work on that quilt block, I won’t make it using just those fabrics – the blues need some kind of an accent to liven the array. I registered because I’m interested in seeing what Fassett has to say about choosing colour and planning layout.

I knew of Kaffe Fassett’s work through his knitting books and even tried a couple of his sweaters – first time I tried intarsia knitting (not my favourite kind of knitting – too fiddly).

From Fassett’s 1985 book “Glorious Knitting”

Then I as a novice quilter I came across the You Tube videos of his Tampa weekend workshop Oct 17/18 2008.

I watched all three sessions and learned a lot about colour flow. (Here is another video where he discusses colour.)

Over the next year or two I did a series of quilts with batiks (as well as large scale print fabrics) using what I’d picked up from watching the workshop videos. So I’m curious to see what he will have to say this time as people work through four different colour arrangements of the designated quilt.

Diamonds III – Diamonds Quilted

I just finished quilting all ~135 diamonds (I haven’t actually counted them). It took me four days to stitch/embroider all the diamonds – somewhere in the vicinity of 16 hours.

Yesterday I learned two new things.

First – I use the Precise Positioning feature on my Pfaff Icon embroidery machine – however, in all these years I’ve been quilting my quilts I’ve used the left/right up/down feature but except when I was learning what Precise Positioning could do, I have never used the rotate feature! This set of diamonds and positioning a design within each block required I also rotate the design slightly to make sure the end of the design finished in the right position.

Second – When I’m quilting, I bring the bottom thread to the top before I start stitching. Sometimes when the machine starts the top thread gets pulled beneath the quilt sandwich, often leaving a bit of a bird’s nest below. Yesterday, I found out why that was happening! I discovered when I bring the bottom thread to the top, I have to make sure the needle position is rotated past the highest point. If I’m careful about that, my top thread stays where it is.

Diamonds III - Quilted
Diamonds III – Quilted

There are lots of things you can’t tell from the photo which looks a lot busier than the quilt does “in person”. You can’t see that I change thread for each block to minimize the impact of the quilting. You can’t see that I’ve embedded all thread ends from the start and stop of each embroidery. You do see the overall effect of the precise positioning of each quilting embroidery.

I still have the edge half-diamonds at the top and bottom to quilt, as well as the triangles along each side. I’ll get to that tomorrow; it won’t take long. Then, as I did on the Diamonds II quilt, I will stitch in the ditch over the entire quilt to give definition to each diamond/cube.

Still lots of work to do here.

Diamonds III – Assembly

I did a bit of searching before starting to sew my diamonds together – I wanted to see how people generally stitch their diamonds/cubes/hexagons together for the Tumbling Blocks design. The cube/hexagon, as I learned with the previous quilt, is created using Y-seams with three diamonds. I’m getting relatively good at that, so that wasn’t my question – I wanted to know how people put the cubes together. Turns out they do what you’d expect – create each cube then butt the blocks together, but most of them are working with three fabrics (a dark, medium, light) and it’s possible to start in the centre of the project and work your way out from there.

My challenge is each cube/hexagon is unique and I want a specific colour flow. The way to assemble the quilt top, I thought, was to carefully stack the diamonds in each cube keeping it in its exact row; stitch each cube, stitch each row, then join the rows to one another.

TOO FIDDLY!

I created rows 1 & 2 separately, and managed to join them, but getting the “star” joins, involving six points, took a great deal of time, and a lot of picking out of stitching, to get the points to match precisely. So that’s not the way to do this!

How else might I assemble sub units so I can join them with less effort?

I realized, as I was sewing row 2 to row 1, that if I set up half-star units, I might be able to get the 6-point join to work more easily.

Cube layout changed to 6-point star

In this layout I have two “simple” Y-joins at each end of the star with the 6-point join in the centre of a long flat seam, rather than struggling with two Y-seams to make that 6-point connection.

I’ve laid out the rest of row #3 that way, and I’ll sew it tomorrow.

Row 3 set up as “half-stars”

I still have to work with my carefully stacked rows of cubes – but before sewing cubes, I will lay out each row as half-stars, join those units, then connect them to the rest of the quilt top.

Let you know how well that works, tomorrow!