I wasn’t planning on working on this anthurium but I had the medium pink thread on the machine so I started stitching. Once that colour was filled in, it just made sense to carry on with the pale pink and then finally the white. My plan was to fill in the grey using colour and I think the shading works well.
To see the contrast, here is the panel before I’d done any thread painting – you can see this anthurium is almost entirely shades of grey. In the finished flower, a hint of grey is still apparent but the overall sense of the flower is rose pink.
Tropical Flowers – Before Thread Painting
I’ve made headway with the epiphyllums as well – here’s the lower one with the darker greys thread painted with the deep rose thread pair. Maybe later this afternoon (its a full-blown blizzard outside – not leaving the apartment today) I’ll get back to it.
Epiphyllum – Thread Painting In Progress
It really is a blizzard – visibility is much worse than the photo below suggests – I can’t really see the trees across from the parking lot. It’s turning to freezing rain – I can hear ice pellets hitting my windows. Expected to continue as freezing rain until this evening when the temperature will get above freezing but there won’t be much melting until Friday/Saturday when it will be warm enough to rain (which is forecast).
This is winter life in Nova Scotia – freezing rain followed by snow followed by freezing rain – makes for very hazardous driving conditions. Everything is cancelled today – no school, no university, the games centre is closed, and on and on. Good thing my freezer is stocked – lots of soup and chili. Just keeping my fingers crossed the power stays on!
I’m moving along, slowly but surely, thread painting of the tropical flowers on the wall art piece. It both takes both more and less time than expected – a colour fills in rather quickly but while I’m working on an element it seems to be taking forever!
Except for a bit of white at the edge of the flower this anthurium is close to finished (it will still need some yellow down the middle of the pistil).
The second anthurium is about half done – my shoulders got tight so I stopped sewing – I still have the second side of the flower to stitch, bits of white and yellow to add in – then this flower, too, will be completed.
Yesterday, I while I had the darker red thread on the machine I stitched in the stamen filaments on the epiphyllum – the anthers will be last thing I do on the flower. I’m planning on filling in the grey elements with shades of soft pink to bring out more colour in the flower. A bit each day and it’s s-l-o-w-l-y getting done.
I took this photo in the main square in Cortona, Tuscany in April. We were visiting the city and enjoying the food and the shops and just wandering around – these two men deeply engrossed in conversation caught my attention. I’ve known from the outset this would become the basis of a wall art project.
Enjoying The Morning Sun
I started playing with the image yesterday – first I wanted to remove the other people, to isolate the companions. The blue-shirted gentleman is making a classical Italian gesture – thumb pressed to first and second fingers moving his wrist back and forth; in his other hand he has a cigarette. I want to bring the viewer’s eye to this man.
Morning Sun – Initial Steps
With the other people removed and just the shops behind, the men now stand out – I removed the advertising from the supermarket windows – I will do them in the same dark colours you can see through the open shop door. I intend to keep the partial bench on the right (having taken away the woman who is reading and smoking).
Looking at this image now, I think I want the men to be on the right side – it’s got something to do with the speaker being stronger in that position. I’m about to try cutting off the building on the right and repositioning it on the left, reversing the bench so it is cut off at the left edge – that will also allow me to strengthen the greenery growing on the stones of the facade behind.
It’s not enough that I’m taking on this project, I’m also working on a second. I took photos of some poppies in Marlene’s front garden this summer and these two oriental poppies are striking. I started by outlining the petals so I could do a tracing which I’ll use for cutting out red fabrics. They’re growing beside a light green hosta, with a taxus shrub behind and a darker hosta in the top left corner.
Tomorrow I will start looking for fabrics I can use to construct both these images. Generally I work on one piece at a time. For some reason both have been insistent I begin work on each of them.
Yesterday I finished a second leaf. For the moment I’ve left the medium teal unstitched and I think I like how it looks. I’ve covered the grey with the light teal thread and the dark areas are stitched but I like the texture leaving the medium coloured area as is, for now, at least.
Next I will tackle the red/pink anthuriums – they will actually be a bit easier to work on because the colour moves in a way that will make the stitching flow. Probably not today, though. This morning I went back to the double convergence quilt top.
One leaf done – a second underway and weeks of work left to do.
The question is why bother? Why didn’t I just fussy cut the flowers, fuse and edge-stitch them in place and leave it at that? Good question. The thread painting, in spite of the large amount of work involved, adds interesting texture and dimension to the fabric turning it into a piece of wall art. I probably should have thought more about the size of the piece before I began, choosing fewer elements, but this panel does make an interesting art object. So I committed myself to the work. In addition, the fabric raw edges are inclined to fray because the bark cloth is loosely woven – thread painting lets me densely edge stitch creating a sharper outline for the flowers and leaves.
I started with printed bark cloth given me by a friend – 4 one metre pieces with different coloured backgrounds. I chose the blue to work with here but you can see from the black piece just how clearly printed the flowers are. The fabric provides a lovely foundation for doing thread painting.
The first step is to choose a few flowers/leaves and cut them out. Next I apply a fusible web to the back of the fabric, pressing the whole thing flat, then fussy cutting before removing the paper backing from the fused web – the paper makes cutting out much sharper. Once the flowers are fused to a background fabric, thread painting can begin.
So that’s where I am in the process. It will take many hours to fill in the colour gradation of the leaves and flowers – I’m working to eliminate the grey using light values of the adjacent colours so “grey” won’t mean grey when I’ve done thread painting – there will be pale green, or pale teal, or pale pink where grey currently is found.
The flowers/leaves on the black backed fabric don’t have grey, instead the fabric has appropriate light shades for each element, making the decision-making process somewhat easier. But now, back to the teal leaf which I began yesterday….
You’d think because this piece has borders and piping that I’ve done all the thread painting – wrong! I started adding borders on the weekend because I was having the second session for the thread painting workshop and I needed to be able to show the gals how I finish a piece. I’d carefully marked (using a heat removable Frixion pen) a centre vertical line, used that to set up the inner border line. I kept all the markings visible as I partially bordered the piece. (Here are instructions for how I do borders with piping: creating borders). I marked locations and created a signature to show how I position the signature embroidery, as well.
Then I began thread painting – this is going to take several weeks – there’s a lot of fabric to cover – I did enough on the leaf on the bottom left to give an idea of how I shade the colours using two different but similar rayon threads through my needle eye. This provides a bit more texture than using just a single thread and lets me fill in spaces more quickly.
Thread Painting Underway On A Leaf
My plan is to eliminate the grey on leaves and flowers using other shades to in-fill spaces. In this leaf, I’ve used pale greens/yellow greens to stitch in the grey areas. I also did pistils on the anthuriums, flower stems, and leaf central veins while I had a specific thread combination on the machine. This is not my usual way of working but in order to share technique with the gals I did a lot of skipping around.
Now I need to settle in to resume thread painting; this weekend I plan on finishing this leaf and move on to the darker green one above. I also need to baste the edge of the outer border to the batting so I can more easily move the piece around while threading painting.
Finally finished this convergence quilt yesterday. Got the binding done and label sewn on. Two sets of mistakes that went together – totally unexpected and unplanned. It definitely worked out quite well.
Finished Quilt Top
I’m happy I took out the narrow vertical turquoise stripe – it disrupted the left-right movement of the convergence flow. Replacing it with the narrow turquoise border was a good decision. I didn’t have enough grey crackle fabric to complete the binding so I incorporated a turquoise piece I trimmed from the backing after I’d finished quilting. I ran out of binding as I was coming to the join and inserted another small piece of turquoise to complete it. I like where that insert landed.
Fiished Quilt Back
To create the quilt back I set up a “jellyroll race” using leftover bits of fabric from the top, with a narrow strip inserted and two unequal sashing strips. Using the turquoise for the backing sets up an interesting flow from top of quilt to the back. There’s enough turquoise in the top that when you flip the quilt over you retain the connection between top and bottom.
The ombre fabric I ordered online arrived Friday so I will now work on completing the double conversion quilt featuring the ombre fabric.
But before I can get to that, I’m have to work on the thread painting wall hanging.
Detail – Thread Painting Floral Wall Art
I started the thread painting last Tuesday as part of a class I’m teaching (I stitched the dark green parts of this and another leaf although you can’t really see what I’ve done in the photo). We meet again coming Tuesday and I have made no progress on the stitching work. Nevertheless I need to move on to framing the piece so I’ve trimmed it, I’m in the process of adding a bit more batting to the edges to allow enough background to balance the floral arrangement and provide support for the borders. Then I have to set up the marking (using Friction heat erasable pens) so I can apply the borders – have to get that process well underway before Tuesday – not completed, but started so I can demonstrate how I add borders. The framing of the piece won’t hinder the massive amount of thread painting I will still have to do.