I arrived at the class on Wednesday with my latest watercolour panel completed. I also took along the others I’d done as well as a folder of images I’d compiled from Pinterest to discuss with the gals – pointing out technical decisions evident in each photo.
We started by preparing the gridded fusible interfacing – cutting it into working size rectangles, then into 8″ rows – to be able to carry them to and fit them on an ironing board.
I’d come to class with over 2000 precut 2″ squares in a wide range of colours (all sorted into small zippered sandwich bags so the gals would have something to use – I was anticipating they might not have a broad colour selection and I wanted to be sure we had enough precut fabric to work with).
We spent almost all of the day working on developing colour flow. Each panel shaped up into something striking and different from the others – fascinating to watch.
I pitched in as the gals were trying to meld the different parts of their assembly – locating squares from my abundant stash to fill the central gap and draw the panel together.
Once laid out, the squares were fused to the fusible interfacing in sections in preparation for sewing the rows and columns together.
That was as far as we got on Wednesday. Homework: to stitch the panel completely – first, sew the rows together, then the columns, with the 1/4″ seams pressed open (to allow the panel to press flat).
Coming Wednesday, we’ll turn these panels into finished art works complete with a signature (which I’ve already prepared on my computer and will bring with me on a memory stick so we can use one of the high-end embroidery machines in Sew With Vision to stitch each out).
We’ll frame each panel with a narrow off-white inner frame, a contrasting piping, followed by a wide, contrasting, outer border. Lastly, we’ll add hidden bindings and a backing fabric. All of that takes as much time, I find, as creating the panel itself.
With the pieces taken that far, I’m gambling the gals will blind stitch the hidden binding at home to complete their hanging. I hate contributing to everybody’s UFO piles – I’m determined these pieces will get done.
Hello, where do you get your wonderful floral fabrics??
A shortcut is to order a “watercolour” jelly roll from https://whims.cc/products/44-x-2-watercolor-jelly-rolls. That’s a start. Then I scoured my local shops buying 4” pieces (enough for two 2” strips) of floral prints that had strong colours, sharp printing, wide range of colour. Keep in mind that you’re painting with the prints – so stop looking at the flowers and see colour. You need not limit yourself to florals, other prints can afford you good colour choices.
The watercolor quilts are lovely – HOWEVER, when I went to the website via Pinterest, it said the page could not be found! It happens often. How do I order the “watercolour” jelly roll?
Here’s the current link to the watercolour jellyroll: https://whims.cc/products/44-x-2-watercolor-jelly-rolls
Do you have a pattern for this?
The answer is I don’t. No pattern – because these are improvisations which is why each person’s panel was interesting and different.
If you search for “watercolour quilts” you will find lots of helpful tutorials, but not much in the way of patterns – that’s because these pieces are improvisations.