I was on a walk along the Halifax Harbourfront at 10am on a July morning in 2010. There were a couple of sailboats moored alongside the Acadia (a WW1 warship, now part of the Museum of the Atlantic collection) with the fog lifting in the harbour and the Dartmouth shore a pale form in the distance.
I captured the moment – recently I added the photo to my collection of potential landscape/art quilts.
With the Art/Landscape class underway for a second time, I thought I’d give the sailboats a try. Sky with a bit more cloudy texture (because I had the perfect fabric), the opposite shore (heavily stitched), the water in a very soft blue-grey. I did some preliminary thread painting and texture building in the water on the left, then positioned the sailboats (printed on fabric, backed with fusible web, fussy cut) and pressed them in place. Now I have to add the reflections in the water to tied the image together. I elected to eliminate the small dock next to the Acadia and the just visible stern of the ship. I preferred just the two lone sailboats for my wall art piece. Although barely visible, I’ve used silk organza on the left of the image to represent the fog, added after the initial thread painting to blur the textile and stitching beneath.
I will work on the piece tomorrow in class so I can show the gals how I solve various technical issues – including creating an inner mat, making piping, and selecting fabric for the framing. They’ll also get to see how I go about thread painting with my feed dogs in the engaged position (I can’t free motion and obtain an even stitch length at all well, but I’ve figured out how to keep my feed dogs in position and do a “free-motion like” sewing). I want them to see how I do that.
I am probably also going to add a bit more movement to the water on the right, but not until I’ve finished the reflections of the masts, the mooring lines, and rigging on the boats.
More after tomorrow – our second class (one more after that on framing and finishing an art piece).