The other day Barbara Emodi shared in her newsletter “The Elastic Wallet” (from Threads Designs Inc. Theory). Sounded interesting so I bought and downloaded the pattern and tried one.
The Elastic Wallet
The wallet is made from 2″ elastic with a non-fraying fabric piece on one side (although there’s no reason not to add it to both sides if you wanted to). The elastic is just the size of a credit card – Barbara suggests giving it as a gift with a gift card included – a nice idea.
The wallet is simple to make – but I have one suggestion – in the instructions is tells you to cut 15″ of a 2″ elastic (I just used the black elastic I had on hand), fold the two ends into the centre point, then fold in two again enclosing the two ends.
After constructing the one above, I’d do it the opposite way, I’d fold the ends into the centre but fold the elastic in two again leaving the open ends on the outside – my reason for doing it that way is because my 1/8″ seam allowance missed the open ends of the elastic in a couple of spots and they’re not secured. Leave them on the outside, use a decorative stitch to sew the two side and bottom edges together, and those ends would be sewn securely. I plan on making another one that way tomorrow.
Let you know how it turns out.
I completed the panel sashing this afternoon. The light fabric tones down this “quilt of many colours” somewhat. Now I need to add a narrow border using the sashing fabric to frame the panel. (Here’s what it looks like without the sashing.)
Quilt Of Many Colours
Then a border – I found this batik fabric in my stash a couple of days ago – it wasn’t the fabric I was originally planning to use to frame this panel but I think a 2 1/2″ border of this dark teal might just bring the colour hodgepodge together – fingers crossed.
Possible Outer Border
I plan on looking again through my stash – there may yet be another largish piece of fabric that works with the panel although I don’t see any in my mind’s-eye. I may even take the panel shopping to see if there is a fabric that says “take me.”
Yesterday, I gave away my “Fish” banner to a friend. Last evening, I dug out my remaining fish and this afternoon, I found some ombre fabric that might work well with them to create another skinny quilt/banner. It’s a quick and easy project to fill in my wall art collection for this year’s showing in Parrsboro. I lost close to three months of sewing/quilting time this summer with my fractured wrist. I’m trying to catch up so I have enough new creations to show.
And while I’m at it, I will have a go at another couple of these skinny quilts – however, not until the two throw quilts I’m working on are finished – I try to complete one piece at a time before starting something else – that way I don’t have unfinished projects sitting around. I don’t know how other quilters live with a closet full of UFOs – I need closure.
So I will get the Magic Squares Quilt IV top done in the next day or two, then set up backs for both the grey/gold and this quilt and get both of them quilted – I’m aiming for end of December.
I thought this would be a relatively quick quilt top – simple enough to work on at the sewing retreat a week ago. I began with leftover jellyroll strips – sewed them in groups of four – that yielded a width of 8.5″ – I cut those 4-strip panels into 8.5″ squares. That’s what I took with me to the retreat. While there I arranged two blocks right sides together with the stripes in the two blocks at right angles, stitched around the edge, then cut in four along the diagonals – that gave me blocks with a diagonal – two strips of fabric on one half-square triangle, four strips on the other.
Although the four-strip pieces were colour coordinated, what I didn’t bargain for was the lack of colour coherence in my blocks. I tried several random placements but nothing worked.
I came across a layout that nested bordered squares giving me three sides of a block butted agains three sides of another block – but the layout was just a jumble. There was no obvious colour flow at all.
Several attempts later, I decided to group four blocks into larger blocks with an internal square on-point that would stand out. That organized the colour somewhat but overall the top was still a jumble.
This afternoon I stopped at the fabric store to pick up fabric for backing the grey/batik quilt and came across a Northcott Stonehenge fabric: Monogram-Lichen
Perfect for creating sashing between the blocks. The sashing will lighten the whole, mute the strips outside the on-point square at the centre of each block, highlighting the central square.
I’ve cut out the sashing pieces – now to sew the whole thing together. Can’t wait to see how it will turn out.
The way I quilt I’m never sure how anything will look until I see it emerging. I may start with a known quilting technique – in this case half-square triangles created from 2.5″ strips sewn four together then cut to form 8.5″ blocks….
In this quilt top I let colour rule itself with unanticipated consequences. However, I think I’ve found a way to tame the assembly. We’ll see once I get the sashing sewn to the blocks and the large top panel put together in another couple of days.
Even experienced quilters from time to time make fatal mistakes – I made one two days ago. I’d finished assembling the blocks for the grey/batik quilt top and had found fabric for the borders. I set up the borders by sewing a narrow gold strip (.25″) to a grey strip (.75″)and both to a wider (3.5″) outer pale grey strip. My plan was to mitre the corner, not by doing each strip separately but by doing them in one mitre.
I added my compiled border to the sides – no problem. I added the border to one end, successfully executed the corner on the bottom left side and then began working on the right bottom corner mitre.
Mitred Bottom Left Corner
My mistake wasn’t in sewing the mitre – although I drew the 45° angle line in the wrong direction and stitched it along the line. No that wasn’t my fatal mistake. My fatal mistake was trimming the seam before opening the corner to confirm I had it laying flat!
How stupid was that.
So when I went to press the mitre I discovered it curled over the quilt corner rather than lying flat.
Screwed Up Mitre – Bottom Right
I unstitched the seam and thought about reattaching the cut….
There was absolutely no way to fix this mess except by going back to the original fabric joins, rebuilding the binding on two sides and creating a new mitre. Which is what I did – the next day!
Fixed Bottom Right Mitre
I correctly executed the remaining two mitres – checking each when I pressed them BEFORE trimming the mitred seam.
Finished Quilt Top
The lesson – check and press, before trimming a mitred corner – I can always take a seam out, press it flat and stitch it in the other direction if I haven’t cut off the excess.