Medallion Quilt – In Progress
So here’s where I am now: I added a narrow light blue border to the central square, I also fused and stitched the small medallion in the centre of it yesterday (easier to do at this point than later when there will be a lot more fabric to handle).
Then I began working on the next border. I wanted to lighten up the overall colour, so I stitched an asymmetrical block which implies an on-point border – I have the other three sets of pieces ready to stitch together. I discovered to my dismay that I had very little off-white fabric left so I went shopping to find something that would blend with the fabric I had already used. I came home with a couple of possibilities and chose one. If you didn’t know to look for the difference you wouldn’t notice it.
Next, I thought quite a bit about how to extend that border strip to fill the square. In the end I decided rather than piecing the ends with a block made from little pieces, I would just use a single light square extended with borders on each side. That leaves the corner piece (I’m placeholding the top left corner with an 11″ x 11″ piece of paper (the size of the finished block). What I’m planning at the moment is to piece four drunkard’s path blocks using five different fabrics and set them out in a whorl (with the same fabric in the rotated corner):
That will bring back the circular motif of the central square. I thought about a block with pointed elements but echoing the spliced circle at the center is stronger. The last border will use a 6″ strip of printed border fabric that was part of the original Medici fabric set and I have enough to mitre the corners! Finished size will be close to 60″ x 60″.
I’m using the prints in the fabrics to create the detail rather than doing a lot of piecing. The challenge will be in the quilting – how to stitch the whole in a way that brings out the “layers” in the prints. That decision, however, is still a long way off.
I’ve walked around the table for the past six days trying to decide what to do with the center medallion. This morning I decided equal sides was most important so I finally cut the medallion panel and squared the pieced fabric. Next I cut sashing from the original edge fabric and added it – since the pieces weren’t quite long enough to mitre, I created corners which I added to finish framing the center. Final size: 25 1/4″ – it’s a bit of a problem because the length isn’t divisible by 2 so I am likely going to add another narrow light border (maybe in lighter blue) to bring the finished block size to 26″ or 28″ that way I can start planning the next border in increments of 2″.
I like how the finished center looks but I remembered I had an asian print with many different medallions – I cut out one of the symmetrical medallions, backed it with Pellon 805 (WonderUnder), fussy cut it. For the moment it’s sitting at the center. I probably won’t fuse it and edge stitch it in place until I have more of the bordering done. I like how the gold/orange brings your eye to the center and the blue is close to the lighter blue in the rest of the piece. I was thinking I wanted a small bit of extra colour in this quilt top and that small bit of gold/orange might just be enough!
Center Medallion With Center Appliqué In Position
That’s it for today – I need to stop and think about this some more – audition fabrics for the next narrow sashing to bring the center up to a workable finished size: 26″ / 28″.
Melanie McNeil commented: And of course you can shift them farther apart, too. This is exciting!
Here’s what that would look like (not necessarily using the lighter blue fabric – I have other choices):
Doing that would overcome an interesting problem with the medallion itself – it’s not symmetrical – it’s 23 7/8″ in one direction, 23″ in the other. I can’t trim it much further to even it out – it’s printed slightly elongated in width. I might be able to fudge it better if I were to cut it out along the outer circle, and appliqué it onto a square piece of fabric. But were I to cut it, bringing the dark to the center and adding sashing to separate the blocks, I can trim the resulting block precisely and the bit’s of the medallion I lose in that trimming wouldn’t be noticeable…
This whole process is so interesting! That’s it for today. I have other things to do. This quilt is going to take a lot of “pondering”. People ask me how long it takes to make one – how can I possibly calculate the creative thinking time?
Here is a printed image of the medallion panel.
Photo Of Medallion
Here it is cut in quarters with the center repositioned as corners.
Medallion Image In Quarters And Repositioned
Now I have something to think about!
“Medallion quilts have a central area that dominates the overall design. Other design elements are added around the center, increasing the quilt’s size as new ‘rows’ are added around the center.”
The center in a medallion quilt is usually pieced, occasionally it begins with a single largish printed element. In this case I have a 24″ printed medallion – a Northcott Stonehenge Medici fabric panel which I bought a couple of years ago along with 1/2m of each of the accompanying fabrics. I thought it might make a nice medallion quilt with the fabric doing most of the work. Well, it will, but the question is do I want to use this medallion at all, or should I do a pieced quilt using the fabrics from the Stonehenge Medici collection building a central motif from scratch?
Northcott Stonhenge Medici Panel
Northcott Stonehenge Medici Fabrics
At the moment the fabrics are sitting on the cutting table as I think about how to proceed. For example, I could do something like the medallion quilt below by Borderline Quilter:
Medallion Quilt by Borderline Quilter
The problem is I’m sure my boredom threshold would quickly be reached attempting all the beautiful but finicky piecing that Kay Bell has done. I can see me building squares within squares, flying geese, half-square triangles, etc. but not tiny ones. What I particularly like about the quilt above are the blocks which create the illusion of the on-point border as background. My fabrics already have an element for a wide outer border (which I used in a previous quilt):
Garden Trellis with Wide Print Border
and will use again here. For now, I will probably go to Melanie McNeil’s Medallion Quilt Lessons to help me think about what I might do with my fabrics.