These are my latest socks, finished last evening. They were interesting to make; I wasn’t sure where the colour transitions were going to happen. I knit a leg that is 80 rows after a 12 row cuff. I like a longer leg – it keeps my ankles warm since the sock comes up under my pants. However, the ombre would have worked better in this case had I only done about 65 rows and then started the heel. I wouldn’t have had such a sharp transition of colour when I picked up the front after the heel was completed.
I could have unravelled back to the 65 row point and reknit the heel. But the overriding choice is the longer sock and nobody will ever notice the transition. So into my sock drawer they have gone. I’ll start a new pair this evening.
I’ve done all the preparatory work on the alpaca yarn I bought in Italy – the skeins are now balls. I’ve even downloaded a Fair Isle pattern.
Fair Isle sweater pattern
The challenge is my yarn is not the same weight as the yarn used for this pattern. I have to knit a sample square to see what kind of size it will turn out. Then calculate the stitch number to be able to make the pattern fit. The major part – the flowers – is based on a 16 stitch repeat so I just need to end up at the yoke with some multiple of 16 for the pattern to turn out.
My plan is to tackle the sweater sometime soon.
I added borders. Changes the look of the piece entirely – contains it (as borders do), but the borders also seem to change the colour focus in an interesting way. The narrow inner red frames the panel and the wider outer border allows the greys and greens to stand out somewhat more.
Quilt Top With Borders Added
I showed the panel to a friend last evening – someone who’s been a close friend for 60+ years! – she tells me the truth. She found something jarring in the panel but couldn’t identify precisely what. I think the problem resides with the pale pink solid Kona sections. They’re flat/dead in comparison with the other parts of the top.
Now, I could take those two parts out and replace them with something else, but given this quilt top is an improvisation, an opportunity to explore and learn, I’m going to carry on. I can do quite a bit to change the texture of those pale pink areas with quilting, particularly if I use a contrasting thread and a more dense quilting embroidery than I was originally planning on using. It would fill up those pale empty areas and provide flow to the other parts of the panel.
So stay turned to see how things progress. Next step is to set up a back panel – it will need an insert as usual to make the fabric wide enough. Not sure what to do – I’m thinking about carrying on with large pieces assembled into a strip using these same fabrics.