I started today by stitching the leaves first, not straight sailing because there are breaks – a few of them come from beneath a flower. With all the leaves done, I moved onto stitching with turquoise – first the blue yellow flower at the top, next the turquoise centres.
Thread Painting Underway
Then on to working the bottom left flower. I’ve done most of the yellow stitching, although I intend embellishing that further tomorrow.
Thread Painting – Detail
I spent quite a bit of time creating embroideries of small circles for the flower centres – I’ll use my metal hoop so I can do the embroidery work easily. I want to position embroidered circles on top of the fabric circles at the centres. I suspect that isn’t going to be easy to execute. In any case, I won’t get to that until I have all the other thread painting done. Then I have to decide if I want to do any kind of stitching on the background! I may leave it alone…. I’ve discovered I can’t plan any of this out in advance – it’s all about one step at a time. It’s about improvisation.
I’ve been looking at pictures of quilts by Freddy Moran – large bold background with appliqué collage in strong bright colours. I decided to try something like that.
I set up a black/white fabric background, then began cutting out flower-like shapes in layers and bright colours. Nine large flowers later I thought I needed to connect them in some way so I included a long flowing branch of leaves. Then added a few lighter green leaves (from a floral print fabric) to just finish off the appliqué.
Now to start thread painting – here’s where I can use contrasting colours, particularly on the leaves and stem to make them brighter. No time to even start that today – tomorrow, for sure.
I got assigned dessert for today’s Easter Sunday Dinner. I thought about it for a bit and decided the Hazelnut Torte recipe from my friend Marlene is an easy but tasty cake. Takes no time to whip up.
(click on the recipe and you’ll get a clear readable, printable single page copy)
Torte in the oven I decided to use the egg yokes (with a couple more eggs) to make a half (more or less) recipe of this delicious lemon curd:
Positively yummy! Tart, yet sweet (next time I’d go light on the sugar – I used 1 cup for a half recipe 3/4 c is more than enough)
Next I made a batch of no-churn vanilla ice cream to put on top of the torte:
Then to top it all off my sister Donna’s “Best Chocolate Sauce” (it really is!)
It’s overkill, I realize but each of these dessert elements is so decadent I couldn’t help but go overboard!
Have you ever tried doing quilled paper work – I have done a wee bit and it’s not easy. You need good paper and a ton of patience. Which is why I wanted to share this detail of a much larger “rug” done by Lisa Nilssen.
Quilled Paper Rug by Lisa Nilssen
Take a look at the complete rug and the other detail images on this website: https://www.thisiscolossal.com/2016/04/lisa-nilsson-quilled-paper-artwork/
Here’s what the article I came across had to say:
Working with compact rolls of Japanese mulberry paper in a myriad of colors, artist Lisa Nilsson painstakingly creates anatomical figures and textile patterns using a centuries-old technique called quilling. In her latest artworks Jardine and Gospel, Nilsson was inspired by the patterns of an Islamic carpet and an 8th century gospel cover. The carpet piece alone was nearly 8 months in the making as she created ornate figures of flowers, stars, and other patterns to fill a 27″ by 34″ inch frame, much of which was improvised as she worked outward from the center.
The rug is really amazing.
PS – April 27 2019
If paper art interests you, check out the exquisite paper craft imitation flowers of Mary Delany (1772). At the age of 72 she began working with paper and her work is displayed in the British Museum. Worth having a look. Here’s one example of her accurate flower renditions:
“Sunflower” from the British Museum Collection
First Coltsfoot of 2019
Saw these coltsfoot peeking through last fall’s leaves two days ago – a definite harbinger if spring arriving in NS. These were in a friend’s yard; no sign of any in their spot under the trees near my building. Next sign – forsythia in bloom – likely not for another 10 days.
Finished this morning (well, I still have to hand stitch the invisible binding on the back but other than that, the work is completed). The burgundy batik used in the border/frame brings out the figure – I tried other contrasting fabrics but the burgundy worked best, I think.
Fall Day 2007 – Finished
After I’d stitched the trunks and branches of the trees/bushes, the fused appliqué was easy to apply. Once in place, I decided to edge stitch the small pieces in autumn shades that blended with the leaf colour. I had to think through carefully stitching the shading boundaries on the figure (it’s actually a photo of me, used with David Lacey’s permission) because mistakes would be undoable. So I opted for just the minimum of stitching.
I achieved quite a bit of texture with the fused appliqué and overall the finished thread painted work is more lively than the original photos printed on fabric.
Fall Day 2007 – photo collage
The whole work took much less time than I thought it would in spite of the large amount of thread painting I ended up doing. I started playing with the images on or around the first of April, printed the images on fabric and began the piece in earnest on April 7 – so I finished it in just over a week; not bad.
I’m pleased with the finished art work.
I’ve worked on this for the last four hours – first stitching in the tree trunks and branches on the left, adding foliage from tiny fabric scraps with fusible web on the back (applied to fabric before cutting it, then stitching branches on the trees on the right. Next, I added some definition to the landscape elements by outlining them. Last I added the figure, fused it in place, then outline stitched the figure and the shading on the clothing.
Fall Morning 2007
That’s as much as I can do for now. What I haven’t figured out how to do is stitch the foliage on the trees and on the ground. The fused scraps are very tiny so stitching around each outline doesn’t seem feasible but I don’t know what to do instead. I have to sleep on that.
And below is the image I started with – background and figure fused.
Fall Day 2007