Improvisation #5: A Quilt Begins


Improvisation is a messy business. This is the current chaotic state of my sewing room. Piles of fabric everywhere. I have an idea I want to execute but not sure yet which fabrics to use. I know the blocks will be similar. The final block size I’m aiming for is 10.5″, but I expect each block will be unique – that the internal construction will vary.

I started this improvisation by selecting fabrics from various boxes, largish pieces, small scraps (enough for a 3″ square). This afternoon I began by choosing 24 different pieces and cutting a 3″ square from each.

Here’s the idea – a small square embedded in a somewhat larger square (white with blue dots – the only fabric common in all blocks), which is asymmetrically embedded in a dark square, which is embedded, again asymetrically, in a brighter square, and last, the four layers are set into a final “square” but this time offset and truncated.


This was a first try – not entirely successful. I created the final size block I wanted (actually a bit larger for good measure). But directional fabrics aren’t going to work for the last square! I haven’t yet figured out how to piece that final large square in the most economical way possible – it would be relatively easy with solids. With this linear print I was able to orient three of the segments in the same direction but I wasn’t able to get the fourth piece to align without wasting a lot of fabric (I elected to go for economical to see if I could get away with it, can’t). So I will take this block apart and try again.

In the meantime I’ve decided to build the 24 blocks as far as the 4th square.

Then, I’ll look at them all and make a decision about fabric for that final square – I am likely going to have to go fabric shopping for a couple of different, yet complementary fabrics. Then there’s sashing and a border – not anywhere near that yet!

I love the challenge of problem solving my way through an idea to a completed quilt. Nothing could be more boring than following someone else’s directions. So I’ve learned to be comfortable with the mess involved with improvising.

Quilting In The Hoop – Examples

The photos below show some examples of the kinds of embroidery designs I use to quilt in the hoop on my embroidery machine. I try to fill as much of the block as I can and where possible I do my best to connect up the embroideries so the quilt looks like it might have been quilted on a long arm quilter!IMG_7331

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Quilting In The Hoop

If you search online for “quilting in the hoop” you get lots of projects which actually piece appliqué quilt blocks within an embroidery hoop, or you get very dense embroideries which are intended to be quilt blocks in and of themselves. What I haven’t been able to find are directions for actually using an embroidery machine instead of a long arm quilter for doing the final quilting. Lots of information on free motion quilting, quilting with a walking foot on a home machine… I’m sure people use their embroidery machines to do the actual quilting but I’ve not found any descriptions.

I have developed a technique for using my embroidery machine in lieu of a long arm quilter because that’s the machine I have. Long arm quilting machines are very expensive and it makes no sense for me to own one – first, because I have nowhere to set one up (except in my basement which has no natural light) and second because I don’t make enough quilts to justify the expense. And I certainly don’t want to use it for a business – the joy of quilting would be gone.

So here’s how I do it. The technique involves creating an embroidery to fill whatever size block I’ve used to construct the quilt. I don’t like a heavily stitched quilt so I set up a single run (the design is stitched just once), open flowing design with a stitch length of 2.5mm. I make the design about 10mm narrower and shorter than the finished block size (to allow for slightly different finished block sizes). I can adjust the size up or down a small percentage once I have it on the embroidery machine.

I start the process by choosing a hoop that’s a bit larger than the block I’m quilting – I want to allow a some wiggle room so I can adjust the position of the design within the block. Step #1: I put a double sided non-permanent craft tape on the underside of the hoop (peel off the protecting paper). I get from 10 – 15 hoopings before I have to renew the tape. The tape is essential for making hoop placement easier – it keeps the top of the hoop in place while I slide the hoop bottom beneath the quilt block. (Non-permanent scrapbooking tape sticks nicely to the fabric but can be a bit difficult to remove from the hoop back. The best tape for the job I’ve found at my local Dollar store – the last time I saw it there I bought 20 rolls to last me a while! It sticks to the fabric very well and peels off the hoop reasonably easily. Double-sided scotch tape doesn’t work at all.)

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I position the hoop around the block doing my best to center the block vertically and horizontally. Notice the tape markings on the hoop – they show me where the top and bottom seams ought to align horizontally (I found their location by using a Frixion erasable pen to draw both horizontal and vertical lines through the center of a block then positioning the hoop and marking the seam lines – this makes it possible to position the hoop without having to locate the center for each block); in this quilt the vertical center falls in the middle of the vertical joining strip so I didn’t need to mark the vertical alignment. (I put small permanent black marks on the hoop to mark the positioning for an 8″ X 8″ block. All other block sizes I mark with tape.) (I have used my 120 x 120 hoop, my 150 x 150 hoop, my 360 x 350 turnable hoop, my 360 x 200 hoop… any hoop will work; the process is the same for all of them.)

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Next I place the hoop in the embroidery unit, bring up the embroidery design on the screen and use precise positioning to check the location of the corners making sure they fall within the block. Notice the cross hairs in the lower right of the embroidery design.

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I check all four corners to make sure the design fits the block. Because the hooping is at best approximate, I use the precise positioning on my machine to fine tune the location of the design within each block. I adjust the position of the design (up/down, left/right) making sure it’s as centered as possible.

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I set the machine to embroider, but before I start, I bring my bobbin thread to the top of the quilt (later I will embed the two threads using a self threading hand sewing needle – picture later). I hold the two threads out of the way so as the machine executes the embroidery it isn’t stitching over these threads.

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I stitch out the design,

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When the embroidery is done (I include a tie off and automatic thread cutting in the embroidery design), I remove the hoop from the machine, and before removing the hoop I pull the starting threads into the quilt. I also embed the cut tie-off threads on the underside of the quilt. I find it easier to handle the self-threading needle in the quilt when it’s still taut in the hoop.

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This quilt required 50 repeats of the embroidery design, plus eight half block designs (set up as a separate design) four on each side. It took me a couple of hours a day over three days to complete the quilting of this 48″ X 62″ quilt.

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I used my large endless hoop to stitch out the border (another design I created using the elements of the design I used for the blocks). The vertical joining strips were narrow so in the end I left them unquilted. Before beginning this quilt I stabilized the layers (backing, batting, top) by stitching in the ditch along the horizontal lines – I didn’t do vertical lines because I didn’t want vertical seams through the blocks.

I haven’t tackled a larger quilt – I think the boredom factor would do me in; in addition, I don’t have table space to hold that much fabric while the machine is doing the embroidery. My lap quilts are small enough that I can position the quilt fabric beside and above the embroidery hoop while the machine is doing the embroidery. It’s important not to have too much drag on the hoop – if the quilt hangs down the weight interferes with the hoop movement and the design doesn’t stitch out accurately.

So there you have it: Quilting In The Hoop – a technique for quilting a quilt using a home embroidery machine instead of a long arm quilter! Need more information? Ask for help using comments.

Improvisation #4


The inspiration for this quilt was simple – start with three predominant neutral colours, then mix in a bunch of coordinated batiks and improvise based on a few (3) large 16 1/2″ blocks, a dozen or so (in the end I had 13) 8 1/2″ blocks, two 4 1/2″ blocks from each fabric, and a large number of 2 1/2″ blocks.

I began by laying out the three large neutral blocks, next the 8 1/2″ coloured blocks, the 4 1/2″ blocks, then the small blocks which I’d created by sewing short strips of two batik fabrics then cutting pieces 2 1/2″ wide block pairs. I couldn’t sew long strips together because I wanted more colour combinations than that would have given me. So I mixed and matched shorter strips to get 4-5 pieces from each. The few small block pairs I had left over were incorporated into the back.

I quilted the whole using a 200 X 200 embroidery hoop with an open flowing embroidery design that just about filled the hoop. Before I did that, though, I gave some thought to simply stitching randomly spaced vertical and horizontal lines across the quilt surface. It may look simple, but stitching those lines is a manual task, quite time consuming, and hard on my neck and back. So in the end I opted to embroider the quilt blocks with an 8″ X 8″ design.

Final dimensions: 48″ X 64″. A good size for a lap quilt. I bound the quilt using the same fabric I used for the accent strips on the reverse side. As usual, this is a reversible quilt.

Charms Quilt II

Just finished – the second charms quilt. The goal here was to use up more of the leftover charms from the first charms quilt. I had to add some strong batik 5″ blocks to those I was able to select from the charms packs because I didn’t have enough strong coloured ones otherwise. The strips came from my scrap boxes I didn’t need a lot of fabric (I chose all darker colours) – 1″ x 5″ strips  (70 in all). The blocks were easy to assemble, deciding on an arrangement took a couple of days, first auditioning all 140 on the floor then tweaking the placement over a few days.IMG_7297

The big decision was whether to border the quilt in the off white fabric or to use the darker grey – I obviously chose the darker grey. Glad I did although the quilt would also be interesting with the background fabric as border – in which case, looking at the quilt now, I can see if I had done that I could have stuck one or two triangles in the border along with a couple of strips! Didn’t think of that at the time. Something to keep in mind for my next quilt.

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The back uses some more charm pieces to make “flying geese” blocks. My pinterest feed had instructions for making the blocks – since I’d never tried them I thought this a good opportunity to have a go at some. In the photo you can’t really see the teal colour in the backing fabric but there is some. That was the reason I decided to border the strip with a strong turquoise. It does bring out blue in the backing.

My backing was wide enough that I was able to salvage almost enough fabric for 2 1/2″ binding strips (I had a bit of backing leftover which I also used and incorporated one orphan strip to complete the binding. It blends rather well with the whole).

That’s two completed quilts in four weeks. Now on to a quilted jacket/coat that I want to take to San Francisco in a couple of weeks.

Charm Quilt I – Finished

Just done. Label and all. I’m pleased with how the quilt turned out. I like the contrast between the two muted background fabrics and the individual swatches – each is strong and colourful, yet they blend well.

I wasn’t sure about the bold batik I used for the back – whether it complemented the insertion or not, but now that the quilt is completed I’m happy with the result.

This quilt I think has found a home in my living room- it fits in better than the quilt I had there.

“Charm” Quilts

One of the things I wanted the ladies in the quilting class to learn was how to look at pictures of quilts and deconstruct them. So I hunted for quilts I thought would be relatively easy to analyze. Among the photos I sent them was a charm quilt. “Charms” if you don’t know are precut pieces of fabric 5″ square. I had several charm packs (a charm pack is 40 of these 5″ pieces) in my stash and thought I should give the quilt a try. The original photo sashed and bordered the charms in alternating darker and lighter grey. I took my charms to the fabric store to see what would work with the charms I’d selected. Dark and light grey for the sashing was going to make those small coloured blocks pop. So I cut the strips I needed and quickly assembled the quilt top. What I particularly like are the vertical strips from one row to the next linking the rows.

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I made a few more bordered blocks, cut half of them in half to assemble a strip for the backing.

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The quilt sandwich is pinned and ready to be quilted.

However I still had a large number of charms not used in this quilt so I thought I’d have a go at another quilt idea based on two blocks: half-square triangles and strips. The quilt I had in mind would need 140 4 1/2″ blocks. So I made 70 half-square triangles and 70 blocks with 1/2″ strips down the middle.

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Here are the blocks laid out on my office floor. I’m still auditioning them – trying to find what for me is the most pleasing arrangement. That’ll take a day or two of coming back to look at the layout and tweeking it a bit more. Once sewn together, I intend to border the quilt with the darker grey fabric I used in the first quilt, backing and binding – I don’t know yet.

Quilting Class – Jelly Roll Quilt

So here they are – the jelly roll quilts the gals have been making – stitched in the ditch – next to be quilted in the hoop. We got started on that today.

  
  
  
  

  

Great quilts, all! I’m looking forward to seeing the finished quilts.

Here are the backs – equally interesting:
  
  
  
  
  

Great work.

Another Useful Idea

Even though my sewing machines have cutting blades on the left hand side I don’t use them because as a right handed person I want to reach for my scissors, instead. 

I’ve found this simple way to keep a small pair of scissors nearby on each sewing machine (I have 4, but three are on my sewing tables). 

Plastic hooks with removable tape on a clear spot on the side of the machine does the trick – once I got used to not having to hunt for scissors when I’m sewing I no longer have to think about it – they’re always right at hand!

A “Good Thing”

Living is about improvisation. One of life’s small frustrations is finding the end of a roll of tape. I think I came across this idea on Pinterest – using the little plastic tabs on the end of the plastic bread bags (among other places) to mark the tape end. It’s a “Good Thing” as Martha Steward would say.

I use many different kinds of tape in my sewing room – double sided tape for positioning the machine embroidery hoops, masking tape to mark alignment positions on my sewing machines and to mark front/back of fabric, to identify rows of blocks for quilting, to convert cutting rulers to templates, duct tape when something needs a more secure temporary join.

Life got a whole lot easier when I started using those little pieces of plastic instead of throwing them out!