Huntington Point Beach

Huntington Point Beach

The piece is finished — well, almost. I think I want to take apart the bottom right corner and see if I can straighten it just a wee bit. I may not be able to, but I think I have to try.

I’m pleased with how the work turned out. You have the impression of the dried seaweed blown against the driftwood log and the dried grasses on the gravel beach itself. You can see the headlands recede into the distance with the sun illuminating the top of the nearest ridge.

The colours in the piping bring out the blues and golds from the image and the very dark navy frame lightens it. From a distance, the log glows because it’s sun bleached.

My next job is to make some adjustments to a beaded lace wedding dress — take up the shoulder straps a tiny bit, replace the skintone mesh in the front cleavage slit with a longer piece (bringing the two edges a smidgeon closer together), finally cut the train from the two underskirts leaving just the lace and tulle train at the back and hemming the underskirts. That’s for tomorrow.

Progress…

Huntington Point Beach

I’ve spent the entire afternoon trying to piece this image. The distant background – the hills leading down to the bay weren’t so difficult, but trying to get the foreground assembled in some meaningful way has been difficult. What I see in the foreground is a lot of thread painting to simulate the grasses and seaweed on the beach; I’m not trying to emulate the gravel beach entirely with the fabrics.

David (and the log) are still paper, but it’s almost time to print him on fabric and carefully cut him out so I can add what’s needed to the foreground.

The surf is a bit of lace but it will still need to be overstitched to make it more realistic (I need to stitch some surf in each of the inlets, as well – same with the water – I need to stitch some horizontal wind lines to suggest movement in the bay.

Back to work.