With the Peony, I’m playing around with Danny Amazonas’ fused appliqué technique – a collage of small pieces of fabric fused on top of one another to create depth and detail for both the background and the main subject.
I began by preparing 20″ x 26″ pieces of muslin and batting and sewing them together along the 9″ x 12″ dimensions in the center of the quilt – this marked my outside boundary. Then I pencilled in the approximate location for the focal element – the peony. That gives me an inner boundary for the background appliqué collage.
One of the things I’ve learned from looking carefully at Amazonas’ textile art is the background is livelier when there’s visible small pattern elements in the fabrics. The overall effect is a shaded dark support for the focus element which sets up the contrast for the finished art work.
I cut pieces from the fabrics I’d collected and auditioned them to see how I might establish a colour flow within the background.
I applied “wonder-under,” a paperbacked fusible web to my complementary and contrasting pieces of background fabric. Then I cut small pieces from each and arranged them filling the space from outer to inner boundary.
At this point, the background looks lighter in overall tone than it will once the light fabrics are added in the center to create the very pale pink flower. If the background still seems too light when the peony is added, I will apply a wash using acrylic paint to tone down the brighter colours.
As far as I can tell, Amazonas doesn’t sew on top of his constructions. My plan is to do the same in this demonstration piece. However, when it’s assembled I may feel it wants more detail and add some thread painting. I’ll have to see how it turns out.
That’s it for today.