I started thread painting the bark cloth cutout flowers and leaves the other day. It goes surprisingly quickly and yet it seems to take a lot of time. The first thing I did was stitch the edges of the fused cutout using a modified blanket stitch (w: 1.5mm) with a smoke coloured monofilament thread in the needle (a white rayon embroidery thread in the bobbin). As I’m thread painting, I’m stitching over the cutout edges with embroidery thread to obscure the loose warp/weft threads that are peeking out.
One leaf is done, parts of the larger leaf begun and the dark thread on the anthurium has been stitched – lots more to go. Next will be the brighter green elements on the larger leaf and the “grey” elements will be some shades of bright green, not sure what precisely, yet.
I’m using the embroidery thread doubled – two close shades – both threads through the single needle eye. It’s working well, I’m not having any tension difficulty. I’m not trying to cover the fabric with stitching – just enough to provide some texture and sheen.
Here’s where my collection of fine permanent markers is proving handy – I filled in the grey on the dark leaf with a bright green which livens up the whole. I will do the same on the larger leaf.
This piece is a test run for the larger one with the natural raw silk background. The graceful movement of the printed design is making the thread painting straightforward – the flowing lines are easy to replicate, even though I have both the feed dogs and the Pfaff IDT engaged! (I’m doing that to maintain a consistent stitch length – I don’t come close to an even stitch length with free motion sewing). Using the needle down position, the presser foot lifts a wee bit when I stop which allows me to freely manoeuvre the fabric as I sew. So the long flowing lines are happening without difficulty.
Time to get back to work on the larger leaf.
This is the second leaf stitched and tinted using the permanent markers – much more lively colour than original “grey”.
Next – the anthurium.