Well, the quilt is almost finished – I still have to hand stitch the hidden binding on the back – at the moment the binding is just pinned in place.
I elected to do a hidden binding because I wanted the contrast strips to reach the edge of the quilt without the interruption of a conventional binding. Using a hidden binding adds a “modern” touch to the piece.
The back was pieced from four leftover blocks with large segments from remnants of some of the grey fabrics. None of the three pieces I had were large enough to use without piecing. I added contrast elements to join the grey blocks in an asymmetric layout.
I was fortunate, when I trimmed the quilt, to have enough leftover fabric from each edge to use as binding. That has allowed me to match the binding to the back so the pattern layout is continuous. A nice surprise.
To quilt the quilt, I had to mark the quilt top into 250mm squares because the actual “blocks plus sashing” were larger than my largest hoops could accommodate. I figured the colour detail of the quilt top was strong enough that the fact the quilting block was smaller wouldn’t be obvious. So a 4 x 5 quilt layout was quilted using a 5 x 6 + 5 x 1/2 blocks. The top row of half blocks blends in – the quilting appears continuous.
The quilting blocks can be seen on the reverse but the more open structure of the back panel accommodates that.
I’m actually very pleased with how this quilt turned out.
Now to hand stitch the binding and label – this evening in front of TV.
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You’ll have to teach me this binding.
Whenever you like. Call.
Gorgeous! I like the name too.
Thanks for providing it!