The quilt turned out a bit larger than I usually make – the addition of the drop shadow sashing added 2.5″ to the width and 3.5″ to the length and the outer border added another 6″ – finished size: 54″x 72″. But the drop shadow sashing was needed to brighten the whole thing and make it less “pink” and the top needed the wide outer border to give the quilt definition.
In the end I did quilt-in-the-ditch along the sashing and the drop shadow. I quilted with a block single run embroidery. The border was also quilted with a long, narrow embroidery which turned out well. I used a purple variegated Sulky 30wt cotton. (Can be annoying because if you don’t use a 90 top stitch needle the thread is prone to fraying and breaking. I used a 90 stop stitch needle and I still had some breaking.) However, the quilting went relatively smoothly overall.
I’m pleased with how the quilt back turned out as well – the large pieces of fabric with narrow contrast elements plus the pieced strip worked out well and the horizontal stripe adds more interest. I must say, I like the Grunge (Moda) fabrics – the tonal quality of them adds lots of life to a fabric, very useful for quilt backing.
You won’t notice it but I added a piece of the turquoise contrast fabric to the binding “just because”.
That’s quilt #5 since August – five quilts/four months – not bad. That’s it for quilts at the moment – now onto a Kantha jacket for a friend, then a couple of pairs of cords for me and a wall art piece based on a photo I took in Italy in April. No end of projects, just not enough time.
Assembled the back for Purple Passion yesterday. The point was to use up leftovers and retain enough of the purple grunge fabric to be able to bind the quilt without having to buy more fabric!
Purple Passion – Quilt Back
I used leftover blocks from the quilt top, cut in half to assemble the narrow pieced strip, then used large blocks of the leftover fabrics to create a wide strip. I decided this time not to insert the strip but to use it as a panel on one side, instead.
Then I set up the quilt sandwich – I’ve described how I do this somewhere in the blog but can’t find the specific post. When I started quilting, I would tape the quilt back to the floor, lay the batting on top, then position the quilt top, smooth out the whole thing and pin.
Pinning The Quilt Sandwich
But getting up and down has become difficult – it’s an age thing – and one day I tried rolling each layer on a pool noodle, and working on my dining room table. That made assembling the quilt sandwich quite a bit easier.
One day it dawned on me that 1 x 4 boards would provide some weight and allow me to apply a bit of tension to each layer as I progressively pinned the sandwich. That’s what you see here. Each layer is rolled on a board, the layers placed on top of one another. I will pin the exposed layers, roll that part up and continue pinning until I’ve reached the other end, taking care to keep the quilt back as smooth as possible. I’m working on my cutting table which is a good height for this step – I don’t have to bend over as I did on my dining room table – much easier on my back.
I’m now ready to begin pinning. Once that’s done, I will stitch-in-the-ditch to stabilize the sashing and outline the narrow drop shadow border. Then I’ll quilt each block once I’ve created an embroidery for this quilt.
Finally finished, binding and label. I’m much happier with the quilt now that it’s finished. The quilting using a darkish bendable thread tied the Kona cotton elements to the rest of the quilt quite well and I have to admit I did one other thing – I toned them down using a fabric pastel crayon which darkened them a bit and hints at texture in much the same way some of the other fabrics do. Once pressed with a steam iron, the pastel dyes the fabric and will withstand washing.
It has the impact of a modern quilt.
Blushing Peonies II – A Modern Quilt – Top
I used flying geese to make a strip to widen the back – they don’t look like flying geese because there isn’t a consistent “background” to highlight the “geese” – however, the pattern created by the large and small triangles showcases the fabrics. The sashing elements I decided to make asymmetrical and I like how they offset the strip and tone down the red backing.
Blushing Peonies II – quilt Back With Flying Geese
After the showing in Parrsboro, my sister Donna expressed interest in the Bordered Diamonds quilt. I gave it to her. She has it hanging in in this bright green room. I love how the green makes the batik fabrics pop and how the colour flow in the quilt ties in with the navy sofa.
Bordered Diamonds – 2012
The other day I was at the physiotherapist – I was at one end of the room and this photo at the other end caught my eye – at the distance a face popped out – two eyes, the left cheekbone, mouth, the suggestion of a blue hat. It’s actually a photo of a waterfall but for me – it’s a face!
I added borders. Changes the look of the piece entirely – contains it (as borders do), but the borders also seem to change the colour focus in an interesting way. The narrow inner red frames the panel and the wider outer border allows the greys and greens to stand out somewhat more.
Quilt Top With Borders Added
I showed the panel to a friend last evening – someone who’s been a close friend for 60+ years! – she tells me the truth. She found something jarring in the panel but couldn’t identify precisely what. I think the problem resides with the pale pink solid Kona sections. They’re flat/dead in comparison with the other parts of the top.
Now, I could take those two parts out and replace them with something else, but given this quilt top is an improvisation, an opportunity to explore and learn, I’m going to carry on. I can do quite a bit to change the texture of those pale pink areas with quilting, particularly if I use a contrasting thread and a more dense quilting embroidery than I was originally planning on using. It would fill up those pale empty areas and provide flow to the other parts of the panel.
So stay turned to see how things progress. Next step is to set up a back panel – it will need an insert as usual to make the fabric wide enough. Not sure what to do – I’m thinking about carrying on with large pieces assembled into a strip using these same fabrics.
Instead of two shorter rows (one on top and one on bottom), this addition turned into a single longer piece I decided to add to one end. For some reason I can’t articulate, that addition feels like the “top” – almost where a pillow would go had this been a twin size quilt. Instead, it will be a largish lap quilt or throw. It still needs a border, maybe it will want a very narrow inner border – not sure yet.
Quilt Top Panel Assembled
Now I need to walk around this for a bit, at the same time I need to go through my fabric stash to find a fabric that could work as a narrow inner accent border, and something for the wider outer border.
And I guess I should be thinking about a name for the quilt – no idea what it might be.
Just added another two sections to this quilt improvisation. It’s now close to a square – in the ballpark for width and still needing another 12″-15″ in length; I’m thinking I’ll add two narrow strips – one to the top edge and one to the bottom.
The Growing Quilt – now a 42″ x 45″ panel
My goals here are 1) to use up leftover fabric from the previous quilt so I don’t have to try to find room in my fabric storage for it, and 2) to set up a new quilt for a class (Slash ‘n Insert Quilt) I hope to be teaching in a couple of weeks.
What I’m trying to construct is a modern quilt based on large sections of slashed fabric with a few prominent insertions rather than a meticulously pieced panel. Before I started I thought this would go quickly – wrong! The deciding where to cut and whether/how to align elements after cutting is proving more time consuming than I anticipated. That’s why I avoided working on this for nearly 10 days! Anyway, back at it finally and closer to a quilt top than I was yesterday.
Hoping to make time in the next few days to add strips to the top and bottom edges of this panel. Then I intend adding a 4″ (or so) border. By next weekend, I would like to have pieced a back and created the sandwich. I now need to start thinking about what kind of embroidery I need to quilt this – likely an edge-to-edge design of some kind.
The start of a new quilt. This is fabric left over from the Blushing Peonies Quilt. I’m working to use it up because my storage drawers and boxes are just about full and there’s really nowhere to put both the large and small fabric pieces.
I decided to use them instead of leaving them lying around gathering dust.
Blushing Peonies – Modern Quilt
What I have so far is this compilation of strips and block sections created by starting with a large piece of fabric, slashing it, then slashing the resulting pieces further, and inserting bits of fabric and recompiling the original block with the insertions included. I’ve done two largish blocks so far, the resulting piece is about 20″ wide x 22″ long – a good start.
I’ll keep adding segments to what I have here intending to end up with a good lap-size quilt 50″ x 65″. What I’m after is large sections with strong insertions – particularly showcasing both blushing peonies fabric – the peach version as well as the darker fabric I used in the original quilt.
Just gotta keep going.
I had originally intended on doing something quite different with the fabrics based on 2 1/2″ strips but the idea I had wanted the central smaller square to be one piece (instead of 4 triangles) using the blushing peonies so the flowers would show.
Garden Trellis – from a jelly roll
Setting up a block like that, however, proved more complicated than I was willing to take on – getting the mitred corners on the surrounding pieces was just too fiddly to bother with. Scrapped that idea for now.
So modern quilt it will be.